Love stories; New York (N.Y.) -- Fiction; Scotland -- Fiction
for the way in which such a vast number of persons are content to make
marriages and even liaisons, which others, higher strung, are actually
unable to understand.
As yet, of course, Joy being a young woman had not her power
developed. Such an unconscious power takes in the course of its
development its own time. Instinct is a directing principle, and
obedience can be given to it in many different ways. With Joy its
course had been slow, the growth of time alone. Up to now there had
been no disturbing element in her life; most of her years had been
spent in a quiet house in a quiet neighbourhood where there were but
few inhabitants of her own class; and where, therefore, the percentage
of eligible men was small. There was even to her, as there must be to
any girl like her, certain protecting oppositions. She was at once
practical and sentimental, sensuous and dainty. Her taste was her
first line of defence to the attacks of the baser qualities of her own
nature. Nothing could appeal to her thoroughly which did not answer
widely divergent conditions. Aunt Judy had summed her up well in
saying that she would, if she ever fell in love, give herself
absolutely. But it must be the right man to whom she did so give
herself; one who must comply with all the conditions which she had
laid down for herself. A girl of her up-bringing--with a father and
mother who adored her each in special way; with an aunt who
represented impulsive youth all the more actively because she
professed the staidness of age which is without hope; and with no
intimate relationships or friendships of the male kind--had not only a
leaning to, but a conviction of romance as a prime factor of life.
“Life” was to her not that which is, but that which is to be. As the
world of the present, where such thoughts are, is not one which is lit
and coloured by love, the world of the future is the World of Love.
The Fairy Prince who is to bring so much happiness--when he comes--is
no mere casual visitor to feminine childhood. He is as real to the
child’s imagination as the things of her waking life, though his
nodding plume has little in common with the material things which
surround her. As she grows older so does he change form, coming more
into harmony with living fact; till at last in some lofty moment,
whose memory is a treasure for after life, the ideal and the real
merge in one.
Public-domain text, read in full here on John Shaqi.
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