Love stories; New York (N.Y.) -- Fiction; Scotland -- Fiction
To Joy the hour had come. The Prince Charming who had swept across her
path in such heroic fashion was all that she had ever longed for. He
was tall and strong and handsome and brave. He was a gentleman with
all a gentleman’s refined ways. He had taste and daintiness, though
they were expressed in masculine ways. He too had love and passion.
How could she not know it who had seen--had felt--his soul sink into
the deeps of her eyes, where mermaid-like her own soul peeping from
behind the foliage of the deep had smiled on him to lead him on. How
could she forget that strong arm which was thrown around her waist and
which tore her from her saddle just in time to save her from a
horrible death. How could she forget the seconds when she hung on to
him for life, her arms clasped around his neck.
Whilst he was beside her at dinner she was in an ecstasy. Every fibre
of her being quivered in response to his. And yet, such is the
influence of teaching and convention, all this did not detract from
her outward calm. When the ladies had left the table she had gone out
with her arm round Aunt Judy’s waist as was the convention of the
time, and her smile had not lost its frank geniality. But in very
truth she did not feel like smiling. She would have given anything to
have stolen away to her own room and have lain on her bed, face down,
and have thought, and thought, and thought. The whole thing had come
on her so suddenly. Even the little preparation which she had had at
the auction--the beautiful horse and the fine-looking masterful man
who had bought him--did not seem to count. As he had swept past her in
the Drive, man and horse seen singly seemed superb; but together a
dream. Still there was nothing to fix it in her mind. There needs some
personal quality to fix a dream; just as the painter requires a
mordant to hold his colours to the canvas. But such luxury of thought
would have to be postponed. It would come, of course--later in the
night when there would be loneliness and silence. So she had to
contain herself, and wait.
When “Mr. Hardy” came back to the drawing-room arm in arm with her
father her heart thrilled. It seemed like a promise of hope if not
hope itself. Aunt Judy, ever watchful, saw and understood. To her
seeing eyes and understanding nature there was no mistaking the
meaning of the girl’s unconscious pantomime--those impulsive
expressions of thought made through the nerves: the eager half turning
of the ear to catch the sound of the opening of the dining room door
and the passing of the feet in the passage way; the uplifting of the
head as the drawing-room door began to open; the glad look in the eyes
and the quick intake of the breath as she saw the attitude of the two
men, each to the other.
Public-domain text, read in full here on John Shaqi.
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