Lady Car: The Sequel of a LifeOliphant, Mrs. (Margaret)
General
Lady Car: The Sequel of a Life
Oliphant, Mrs. (Margaret)
Marriage -- Fiction; Mothers and sons -- Fiction
Maurier whose _bibelots_ are their religion, and who cannot be happy in
a room which has curtains not of the right tint. But even the anxiety to
secure everything right in the drawing-room was secondary to her anxiety
about the library, which was to be Beaufort’s room, the future centre of
all his occupations. He had himself a number of books laid up in various
stores, and they had bought a number more in their wanderings--fine old
examples in delicate old vellum like ivory and luxurious editions. Carry
was occupied for weeks in arranging them, in procuring the right kind of
bookcases, and hanging and decorating the room in just the subdued
beauty which is appropriate for a place of study. There was one great
window commanding the finest view, there was another looking into a
sunny nook of the garden. The writing table stood within reach of the
fire, and near that sunny window, so that it might always command both
warmth and light. The chairs were few, but luxurious to sit in, and
moving at a touch, without noise, upon the deep, mossy softness of the
carpet. The bookcases were inlaid and exquisite with lines of delicate
sculpture and gilding between the shelves, out of which the mellow gold
of the old bindings and the sober background of Russia leather and the
tempered ivory of the vellum showed like a picture. He had not even seen
it till it was completed. No lover ever spent upon his lady’s boudoir
more tender care and delicate fancy than Carry lavished upon her
husband’s study. When they went down finally to take possession of
Easton Manor there were various things incomplete in the rest of the
house, but this was perfect. She took him by the arm and led him to the
door. ‘This is my present to you, Edward,’ she said, a little breathless
with happiness and anxiety to know if it would please him. At this
period when furniture is supposed to make so great a part of our
comfort, the moment was intense--would it please him, after all?
It did please him, or, at least, he graciously declared it did, with an
enthusiasm perhaps a little strained, but Carry, who was half crying
with joy and pleasure, never found this out, if, indeed, there was
anything to find out. She ran about the room, pointing out
everything--all the details of the arrangements, the drawers for papers,
the portfolios for prints, the shelves that could be filled at pleasure,
the space that still was vacant to be filled up. Everything that heart
could desire was in this dilettante shrine. There was a little picture
on the mantelpiece, an original, a lovely little Fra Angelico, in the
daintiest of carved shrines, which good luck had thrown in their way in
Italy--a gem for an emperor’s closet. He gave a little cry when he saw
this. ‘Carry, your own picture--the one you love best!’
Public-domain text, read in full here on John Shaqi.
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