Lady Car: The Sequel of a LifeOliphant, Mrs. (Margaret)
General
Lady Car: The Sequel of a Life
Oliphant, Mrs. (Margaret)
Marriage -- Fiction; Mothers and sons -- Fiction
‘I shall love it better here than anywhere else,’ said Carry, falling
a-weeping and a-laughing with a joy that was not hysterical, but only
driven to the bounds of all things to find expression. She was so happy!
She had never in all her life been so happy before. In her own house,
her own home, all hers and his, the sanctuary of their joint life to
come. When a woman comes to this climax of happiness, she generally does
so more thoroughly with her _arrière-pensée_ than a man. Only one thing
could have made Carry’s bliss more exquisite--if he had done it for
her--and yet, on the whole, I am not sure that to have done it for him
was not a higher pleasure still. Little Janet had held by her mother’s
dress coming into the new, strange house, and thus had been swept into
this rapture without intention, and stood gazing at it with great eyes,
half wondering, half critical. What there was to cry about Janet did not
know. She was a spectator, though she was only a child, and broke the
spell. Lady Car felt more than Beaufort did what the interruption was.
And thus the edge was a little taken off her delight. But in the
evening, when Janet was happily in bed, she led her husband back to his
beautiful room. He would rather, perhaps, as a matter of fact, have
remained in the uncompleted drawing-room with her. A thing which is
incomplete has a charm of its own. He was suggesting various things
which were needed to fill up, and enjoying the occupation. He had even
made a few rough sketches, rough, yet full of ‘feeling,’ showing with
only a line or two how many improvements could still be made. She was
delighted by the suggestions, but a little impatient, longing to make
sure that he had seen all the many luxuries provided for himself. She
took his arm when he had shown her where he would place the little
fantastic Venetian _étagère_. ‘Yes, Edward; but I don’t want to stay
here any longer: I want to spend the first evening in the library, in
your own room.’
‘In the library,’ he said with a slight vexation; then recovering
himself he followed her impulse with the best grace in the world. Poor
Carry! it would ill become him not to humour her. ‘But is there a lamp
there?’ he said. She laughed for pleasure at the question. A lamp!
There was the most beautiful arrangement of lights which the art of that
period had yet devised. The reign of the electric light had not begun,
but candles with every kind of silvery shading that had been then
invented were round the walls, and the light was so soft, so equable, so
diffused, that no electric lighting could have been more perfect. ‘You
who are so fond of light, how could you think I would forget that?’ she
said.
‘You never forget anything: you are my good angel,’ he said, holding her
in his arms: the perfect tenderness and the perfect taste went to his
heart. ‘You are too good to me--and all this is far too good for a
useless fellow who never did anything.’
Public-domain text, read in full here on John Shaqi.
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