England -- Social life and customs -- 19th century -- Fiction; Love stories; Oxford (England) -- Fiction; Young women -- Fiction
“I want to earn my living—I mean to earn my living! And how do you
know—after all”—she held Connie at arm’s length—“that Mr. Sorell’s
going to approve of what you’ve done? And father won’t accept, unless
he does.”
Connie laughed.
“Mr. Sorell will do—exactly what pleases me. Mr. Sorell”—she began to
search for a cigarette—“Mr. Sorell is an angel.”
A silence. Connie looked up, rather surprised.
“Don’t you agree?”
“Yes,” said Nora in an odd voice.
Connie observed her. A flickering light began to play in the brown
eyes.
“H’m. Have you been doing some Greek already?—stealing a march on me?”
“I had a lesson last week.”
“Had you? The first I’ve heard of it!” Connie fluttered up and down the
room in her white dressing-gown, occasionally breaking into a
dance-step, as though to work off a superfluity of spirits.
Finally she stopped in front of Nora, looking her up and down.
“I dare you to hide anything again from me, Nora!”
Nora sat up.
“There is nothing to hide,” she said stiffly.
Connie laughed aloud; and Nora suddenly sprang from her chair, and ran
out of the room.
Connie was left panting a little. Life in Medburn House seemed
certainly to be running faster than of old!
“I never gave him leave to fall in love with Nora!” she thought, with
an unmistakable pang of common, ordinary jealousy. She had been so long
accustomed to take her property in Sorell for granted!—and the summer
months had brought her into such intimate contact with him. “And he
never made love to me for one moment!—nor I to him. I don’t believe
he’s made love to Nora—I’m sure he hasn’t—yet. But why didn’t he tell
me of that Greek lesson?”
She stood before the glass, pulling down her hair, so that it fell all
about her.
“I seem to be rather cut out for fairy-godmothering!” she said
pensively to the image in the glass. “But there’s a good deal to do for
the post!—one must admit there’s a good deal to do—Nora’s got to be
fixed up—and all the money business. And then—then!”
She clasped her hands behind her head. Her eyelids fell, and through
her slight figure there ran a throb of yearning—of tender yet
despairing passion.
“If I could only mend things there, I might be some use. I don’t want
him to marry me—but just—just—”
Then her hands fell. She shook her head angrily. “You humbug!—you
humbug! For whom are you posing now?”
CHAPTER XVII
Public-domain text, read in full here on John Shaqi.
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