Lake country sketchesRawnsley, H. D. (Hardwicke Drummond)
General
Lake country sketches
Rawnsley, H. D. (Hardwicke Drummond)
Lake District (England); Wordsworth, William, 1770-1850 -- Homes and haunts -- England -- Lake District
'But where do you get your theatrical properties?' I said. 'Who
manages the scene-shifting and all the rest of it?' 'Oh, as for
scene-shifting, that is all managed by that great hairy-faced man
that you saw going down the road just now; he is a grand stage
manager and has been at it for twenty years or more.' I did not see
him again until after the close of the performance, when I noticed
him with his pocket-handkerchief in an unconventional way fanning out
the footlights, and then going up on a ladder to puff out the oil
lamps above the stage. 'And as for properties,' the good dame
replied, 'if you mean by that the things we have on the stage, well
everything is lent--there is {73} crockery from one house and chairs
from another, and the dresses, why they are the old originals that
were worn by our grandmothers, and great-grandmothers. We all know
to what farm or to what house we must go for this or that particular
dress, and it is lent very willingly.' 'And do you have large
audiences?' I said. 'Large audiences, well, if th' room would hold
double the number we could fill it, because folk of all maks and
sizes come together. This year we are giving a special afternoon
performance for the quality, but I am told that all reserved seats
have been booked for weeks.'
It was growing dark as I stood by the cottage door. The omnibus, as
it drove down from the Raise gap with folk from Keswick coming to see
the play, was sending sparks out behind from its 'slipper,' as though
it were making fireworks. And soon I saw the lamp-lighter lighting
up the oil lamps in the quaintly intricate lanes of the village
beside the Mere. Knots of people were gathered already at their
door-ways talking of the play, and already folk were drawing towards
the village hall near the Red Lion. I soon joined them, and passed
up a break-neck stairway to a big barn-like room, the {74} back part
of which was filled with rough boards knocked up into temporary
benches, and the forepart had wooden cottage chairs for reserved
seats. The drop-scene was down--the lake and island with Helm Crag
and Dunmail Raise, as seen from Loughrigg, on a summer evening.
Public-domain text, read in full here on John Shaqi.
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