The Lancashire artizan, like others in higher station who should, but
do not always, set him a better example, is prone to the occasional
use of an oath, generally a petty oath, to emphasize his speech. It is
an objectionable habit, doubtless, even when no irreverence is
intended. Curiously enough, instead of being employed to express
aversion to the object to which it is applied, the expletive is often
used as a term of endearment. For example, we sometimes hear the
expression: "He's a clever little devil!" applied by a father in
admiration of the budding intelligence of his own little boy. An
anecdote will best exhibit this peculiar turn of speech.
Some time ago, I had occasion to stay at Stalybridge over night, and
after dinner I left my hotel and took a turn along one of the streets
leading towards the outskirts of the town. It was a fine evening and
the lamps were lighted. At a short distance before me I observed three
working men, as I judged by their speech and gait, dressed in their
best black toggery, and with each a tall silk hat on his head.
Evidently they were returning from a funeral. They were stepping
leisurely along, and, as I neared them from behind, I overheard part
of their conversation. One of them, as he approached a lamp post, took
his hat off, and began expatiating to the others on its quality.
"Ay," he said, holding the hat at arm's length that it might catch the
rays from the gas lamp overhead, "Ay, aw guv ten bob for this when it
wur new!" (looking at his two friends to note if they expressed
surprise and admiration), "that's mooar than ten years sin'. Ay"
(stroking it with his arm and again admiringly holding it out till it
twinkled in the lamp rays), "Ay, an' th' devul shines like a raven
yet!"
Another incident in illustration of the same peculiarity is said to
have occurred in the experience of a well-known actor, who, with his
company, while starring it in the provinces, was playing for a few
nights at Wigan. During the daytime Mr ---- took a turn into the
country, and, feeling tired with his walk, called to rest and refresh
at a way-side "Public." As he entered the hostelry he observed in the
sanded drinking room to the left of the passage, two colliers sitting
each with a pot of ale before him on the table. So, instead of taking
the room to the right, which was the more luxurious parlour fitted for
guests of his quality, he turned into that where the colliers sat
conversing, hoping, as he was a student of human nature, to add
something to his store of observation in that respect. He was not
disappointed.
Public-domain text, read in full here on John Shaqi.
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