"It wur hard work i' thoose days, I can tell thi', to get porritch and
skim milk twice a day, wi' happen a bit o' bacon on Sundays. Once I
had to go fro' near to Stoodley Pike, across Langfield Moor, wi' my
cuts. It were a raw cowd morning, very early, before it wur gradely
leet. An' when I geet to th' taker-in--eh! an' they wur hard uns,
thoose takers-in!--he says when he seed me:
"'Hillo! are yo here so soon, Betty? Warn't yo fley'd o' meetin' th'
de'il this morning as yo coom across Langfield Moor?'
"'Nowt o' th' soart,' I said, I wur noan feart o' meetin' th' de'il up
o' th' moor, for I knew th' hangmets weel that I'd find th' de'il when
I geet here!"
* * * * *
Saving habits, to a much greater extent than prevail in the larger
towns, are a characteristic of the working people in these outlying
and semi-rural districts. This is accounted for to some extent by the
absence of temptation to the spending of money, and so the habit of
thrift gains in strength by the daily practice of it; just as the
opposite holds good where the opportunities for squandering money and
the temptation to do so are multiplied.
By reason, also, of the comparative isolation, a more marked
simplicity of character is observable among the people. Rambling with
a friend over the moors above Walsden, we called at a lonely farmhouse
to obtain such refreshments with bread and cheese as the goodwife
might be able to provide. With as much gravity as he could command, my
friend inquired of the damsel who waited on us, at what hour the
theatre opened up there. She hesitated for a moment as though trying
to realize the idea of a theatre, and then with equal gravity and
greater sincerity explained that there was no theatre in their
locality, though occasionally in the schoolroom, some mile and a half
distant, they had Penny Readings in Winter, and at times a Missionary
meeting.
The theatre is a luxury in which they do not care to indulge very
largely, even if they had the opportunity of doing so. It may be that
the matter-of-fact qualities of their minds have been cultivated at
the expense of the imagination, like those of the youth to whom I
lent a copy of the "Pilgrim's Progress," recommending him to read it,
and believing it would interest him. When he brought it back I asked
him how he had enjoyed the book. His answer was scarcely what I
expected, and it was spoken in a contemptuous tone: "Why," said he,
"it's nobbut a dreyam!" One might be justified in coming to the
conclusion that in this youth there was the making of a hard-headed,
practical Lancashire cotton spinner.
Public-domain text, read in full here on John Shaqi.
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