Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
It was undoubtedly the case with Geoffrey Ludlow. He was a man as free
from gross passions, as unlikely to take a sudden caprice, or to give
the reins to his will, as any of his kind. His intimates would as soon
have thought of the bronze statue of Achilles "committing" itself as
Geoff Ludlow; and yet it was for the dead-gold hair, the deep-violet
eyes, and the pallid face, that he had married Margaret Dacre; and on
her mental attributes he had not bestowed one single thought. He had
not had much time, certainly; but however long his courtship might
have been, I doubt whether he would have penetrated very far into
the mysteries of her idiosyncrasy. He had a certain theory that she
was "artistic;" a word which, with him, took the place of "romantic"
with other people, as opposed to "practical." Geoff hated "practical"
people; perhaps because he had suffered from an over-dose of
practicality in his own home. He would far sooner that his wife should
_not_ have been able to make pies and puddings, and cut-out baby-linen,
than that she should have excelled in those notable domestic virtues.
But none of these things had entered his head when he asked Margaret
Dacre to join her lot with his,--save, perhaps, an undefined notion
that no woman with such hair and such eyes could be so constituted. You
would have looked in vain in Guinevere for the characteristics of Mrs.
Rundell, or Miss Acton.
He had thought of her as his peerless beauty, as his realisation
of a thousand waking dreams; and that for the time was enough. But
when he found her entering into and giving shape and colour to his
schemes, he regarded her with worship increased a hundredfold.
Constitutionally inert and adverse to thinking and deciding for
himself,--with a wholesome doubt, moreover, of the efficacy of his
own powers of judgment,--it was only the wide diversity of opinion
which on nearly every subject existed between his mother and himself
that had prevented him from long ago giving himself up entirely to
the old lady's direction. But he now saw, readily enough, that he had
found one whose guiding hand he could accept, who satisfied both his
inclinations and his judgment; and he surrendered himself with more
than resignation--with delight, to Margaret's control.
Public-domain text, read in full here on John Shaqi.
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