Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
"I'll trouble you not to 'Charley' me, Mr. Stump, or whatever your
infernal name is!" said Potts, folding his arms and puffing out
his smoke savagely. "I don't want any Havannah cigars, nor silk
handkerchiefs, nor painted canaries, nor anything else in your line,
sir; and I want your confounded patronage least of all!"
"Good boy, Charley! very good boy!" said Stompff, calmly pulling his
whisker through his teeth--"shouldn't lose his temper, though. Come and
dine a-Sunday, Charley." Mr. Potts said something, which the historian
is not bound to repeat, turned on his heel, and walked away.
Mr. Stompff was not a bit disconcerted at this treatment. He merely
stuck his tongue in his cheek, and looking at the men standing round,
said, "He's on the high ropes, is Master Charley! Some of you fellows
have been lending him half-a-crown, or that fool Caniche has bought one
of his pictures for seven-and-six! Now, has anybody anything new to
show, eh?" Of course everybody had something new to show to the great
Stompff, the enterprising Stompff, the liberal Stompff, whose cheques
were as good as notes of the Bank of England. How they watched his
progress, and how their hearts beat as he loitered before their works!
Jupp, who had a bed-ridden wife, a dear pretty little woman recovering
from rheumatic fever at, Adalbert Villa, Elgiva Road, St. John's
Wood; Smethurst, who had a 25_l_. bill coming due in a fortnight,
and had three-and-sevenpence wherewith to: Vogelstadt, who had been
beguiled into leaving Dusseldorf for London on the rumours of English
riches and English patronage, and whose capital studies of birds
in the snow, and _treibe-jagd's_, and boar-hunts, had called forth
universal laudation, but had not as yet entrapped a single purchaser,
so that Vogelstadt, who had come down not discontentedly to living on
bread-and-milk, had notions of mortgaging his ancestral thumb-ring
to procure even those trifling necessaries,--how they al glared with
expectation as the ex-singing-bird-importer passed their pictures in
review! That worthy took matters very easily, strolling along with
his hands in his pockets, glancing at the easels and along the walls,
occasionally nodding his head in approval, or shrugging his shoulders
in depreciation, but never saying a word until he stopped opposite a
well-placed figure-subject to which he devoted a two-minutes' close
scrutiny, and then uttered this frank though _argot_-tinged criticism
"That'll hit 'em up! that'll open their eyelids, by Jove! Whose is it?"
Public-domain text, read in full here on John Shaqi.
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