Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
The picture represented a modern ballroom, in a corner of which a man
of middle age, his arms tightly folded across his breast, was intently
watching the movements of a young girl, just starting off in a _valse_
with a handsome dashing young partner. The expressions in the two faces
were admirably defined: in the man's was a deep earnest devotion not
unmingled with passion and with jealousy, his tightly-clenched mouth,
his deep-set earnest eyes, settled in rapt adoration on the girl,
showed the earnestness of his feeling, SO did the rigidly-fixed arms,
and the _pose_ of the figure, which, originally careless, had become
hardened and angular through intensity of feeling. The contrast was
well marked; in the girl's face which was turned toward the man while
her eyes were fixed on him, was a bright saucy triumph, brightening
her eyes, inflating her little nostrils, curving the corners of her
mouth, while her figure was light and airy, just obedient to the first
notes of the _valse_, balancing itself as it were on the arm of her
partner before starting off down the dance. All the accessories were
admirable: the dreary wallflowers ranged round the room, the chaperons
nidnodding together on the rout-seats, paterfamilias despondingly
consulting his watch, the wearied hostess, and the somnolently-inclined
musicians,--all were there, portrayed not merely by a facile hand but
by a man conversant with society. The title of the picture, "Sic vos
non vobis," was written on a bit of paper stuck into the frame, on
the other corner of which was a card bearing the words "Mr. Geoffrey
Ludlow."
"Ah!" said Stompff, who, after carefully scanning the picture close and
then from a distance, had read the card--"at last! Geoffrey Ludlow's
going to fulfil the promise which he's been showing this ten years! A
late birth, but a fine babby now it's born! That's the real thing and
no flies! That's about as near a good thing as I've seen this long
time--that; come, you'll say the same! That's a good picture, Mr.
Wrigley!"
"Ah!" said old Tom, coming up at the moment, "you've made another
lucky hit if you've bought that, Mr. Stompff! Geoff is so confoundedly
undecided, so horribly weak in all things, that he's been all this time
making up his mind whether he really would paint a good picture or not.
But he's decided at last, and he has painted a clipper."
Public-domain text, read in full here on John Shaqi.
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