Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
The time went on. So Margaret knew by the rising and setting of the
sun, by the usual meals, her own getting up and going to bed, and all
the usual domestic routine. But by what else? Nothing. She had been
married now nearly six months, and from that experience she thought
she might deduce something like an epitome of her life. What was it?
She had a husband who doated on her; who lavished on her comforts,
superfluities, luxuries; who seemed never so happy as when toiling at
his easel, and who brought the products of his work to her to dispose
of as she pleased. A husband who up to that hour of her thought had
never in the smallest degree failed to fulfil her earliest expectations
of him,--generous to a degree, kind-hearted, weak, and easily led.
Weak! weak as water.--Yes, and O yes! What you, like, my dear! What
you think best, my child! That is for your decision, Margaret. I--I
don't know; I scarcely like to give an opinion. Don't you think you had
better settle it? I'll leave it all to you, please, dearest.--Good God!
if he would only say _something_--as opposed to her ideas as possible,
the more opposed the better--some assertion of self, some trumpet-note
of argument, some sign of his having a will of his own, or at least
an idea from which a will might spring. Here was the man who in his
own art was working out the most admirable genius, showing that he had
within him more of the divine afflatus than is given to nine hundred
and ninety-nine in every thousand amongst us--a man who was rapidly
lifting his name for the wonder and the envy of the best portion of
the civilised world, incapable of saying "no" even to a proposition of
hashed mutton for dinner, shirking the responsibility of a decision on
the question of the proper place for a chair.
Public-domain text, read in full here on John Shaqi.
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