Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
Indeed, I fear that, so far as I have stated, the sympathies of women
will go against old Geoff, who must, I fancy, have been what they are
in the habit of calling "very trying." You see he brought with him to
the altar a big generous old heart, full of love and adoration of his
intended wife, full of resolution, in his old blunt way, to stand by
her through evil and good report, and to do his duty by her in all
honour and affection. He was any thing but a self-reliant man; but he
knew that his love was sterling coin, truly unalloyed; and he thought
that it might be taken as compensation for numerous deficiencies, the
existence of which he readily allowed. You see he discovered his power
of loving simultaneously almost with his power of painting; and I think
that this may perhaps account for a kind of feeling that, as the latter
was accepted by the world, so would the former be by the person to whom
it was addressed. When he sent out the picture which first attracted
Mr. Stompff's attention, he had no idea that it was better than a
score others which he had painted, during the course of his life; when
he first saw Margaret Dacre, he could not tell that the instinctive
admiration would lead to any thing more than the admiration which he
had already silently paid to half-a-hundred pretty faces. But both had
come to a successful issue; and he was only to paint his pictures with
all the talent of his head and hand, and to love his wife with all the
affection of his heart, to discharge his duty in life.
He did this; he worshipped her with all his heart. Whatever she did
was right, whatever ought to have been discussed she was called upon
to settle. They were very small affairs, as I have said,--of hashed
mutton and jams of the colour of a ribbon, or the fashion of a bonnet.
Was there never to be any thing further than this? Was life to consist
in her getting up and struggling through the day and going to bed at
Elm Lodge? The short breakfast, when Geoff was evidently dying to be
off into the painting-room; the long, long day,--composed of servants
instruction, newspaper, lunch, sleep, little walk, toilette, dinner,
utterly feeble conversation, yawns and head-droppings, and finally
bed. She had pictured to herself something quiet, tranquil, without
excitement, without much change; but nothing like this.
Public-domain text, read in full here on John Shaqi.
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