Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
What had he given her? To answer this question aright,
knowledge must have been had of her whole life and all its depths of
suffering, of actual physical want sounded; all her love of luxury,
all her incapacity to bear privation, all her indolence, her artistic
sensuousness, her cultivated power of enjoyment, must have been known
and weighed.
He had given her ease, security, respectability,--a name, a home
which was comfortable to the verge of luxury, which included all
that any woman could reasonably desire who had voluntarily accepted
a life upon the scale which it implied--a home to which his industry
and his love constantly added new comforts and decorations. Geoffrey
never thought of these things,--he did not appraise them; nor did
his generous heart dwell upon the sacrifice he had made, the risk
he had incurred, in short, upon the extraordinary imprudence of
his marriage. His nature was too magnanimous, and not sufficiently
practical for such considerations he thought of nothing but the love
he had given her,--the love she did not seem to understand, to care
for,--and he wondered, in his simple way, why such love, so deep and
quiet, so satisfied with home and her, could not make her more happy
and cheerful. Poor Geoffrey, calm and peace were the conditions of
life in which alone he could find or imagine happiness, and they were
just those which were detestable to Margaret. It is possible that,
had she been caught from the depths of her degradation and despair
in the grasp of a nature stronger and more violent than her own, the
old thrall might have fallen from her, and she might have been swayed
by the mingled charm and authority, the fierceness, the delight, the
fear of a great passion, so preoccupying that she would have had no
time for retrospect, so entrancing that she would have been forced to
live in the present. But the hand that had raised her from the abyss
was only gentle and tender; it lacked the force which would have wrung
submission from her afterwards, the power to imply that it could wound
as well as caress,--and its touch had no potency for that perverted
nature. What had she given him? Just her beauty,--nothing more. She
was his wife, and she cared for him no more than she cared for the
furniture of her rooms and the trinkets in her jewel-case (poor things,
she thought, which once would have been unworthy of her wearing, but
chosen with all Geoff's humble science, and bought with the guerdon of
many a day of Geoff's hard work); he was her child's father; and the
child bored her a little more unendurably than all the rest. Indeed,
all the rest was quiet--which at least was something--but the child was
not quiet; and Geoffrey made a fuss about it--a circumstance which lent
a touch of impatience to her distaste. He talked about the infant,--he
wanted to know if she thought her boy's eyes were like her own? and
whether she would like him to be an artist like his father? He talked
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