Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
about the boy's eyes, and Lionel's electric glances were haunting her
troubled soul; he babbled about the boy's future, when she was enduring
the tortures of Tantalus in her terrible longing for the past.
The child throve, and Geoffrey loved the little creature with a
vigilant affection curious and beautiful to see. When he felt that the
hopes he had built upon the infant, as a new and strong tie between
himself and Margaret, as a fresh source of interest, something to
awaken her from her torpidity, were not destined to be realised, he
turned, in the intensity of his disappointment and discomfiture, to the
child itself; and sought--unconsciously it may be, at least unavowedly
to himself--to fill up the void in his heart, to restore the warmth to
his home, through the innocent medium of the baby. The child did not
resemble his mother, even after the difficult-to-be-discovered fashion
of likenesses in babyhood. When he opened his eyes, in the solemn and
deliberate way in which young children look out upon the mysterious
world, they did not disclose violet tints nor oval-shaped heavy lids;
they were big brown eyes, like Geoffrey's, and the soft rings of downy
hair, which the nurse declared to be "the beautifullest curls she ever
see on an 'ead at 'is age," were not golden but dark brown. Geoffrey
held numerous conferences with the nurse about her charge, and might be
found many times in the day making his way with elaborate caution, and
the noiseless step which is a characteristic of big men, up the nursery
stair; and seen by the curious, had there been any to come there,
gazing at the infant lying in his cradle, or on his nurse's knee, with
a wistful rueful expression, and his hands buried in the pockets of his
painting-coat.
He never found Margaret in the nursery on any of these occasions, and
she never evinced the slightest interest in the nursery government,
or responded to any of his ebullitions of feeling on the subject. Of
course the servants were not slow to notice the indifference of the
mother, and to comment upon it with unreserved severity. Margaret
was not a favourite at any time--"master" being perfection in their
minds--and her cold reserve and apathy impressing the domestics, who
could not conceive that "a good home" could be despicable in even the
most beautiful eyes, very unfavourably.
Public-domain text, read in full here on John Shaqi.
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