Russian literature -- 19th century -- History and criticism
A Russian writer, M. Kurbski, describes how, when he first met Tolstoy,
he was overwhelmed by the look in Tolstoy’s eyes. They were more than
eyes, he said; they were like electric searchlights, which penetrated
into the depths of your mind, and, like a photographic lens, seized and
retained for ever a positive picture. In his _Childhood and Youth_,
Tolstoy gives us the most vivid, the most natural, the most sensitive
picture of childhood and youth that has ever been penned by the hand of
man. And yet, after reading it, one is left half-unconsciously with the
impression that the author feels there is something wrong, something
unsatisfactory behind it all.
Tolstoy then passes on to describe the life of a grown-up man, in _The
Morning of a Landowner_, in which he tells how he tried to work in his
own home, on his property, and to teach the peasants, and how nothing
came of his experiments. And again we have the feeling of something
unsatisfactory, and something wanting, something towards which the man
is straining, and which escapes him.
A little later, Tolstoy goes to the Caucasus, to the war, where life
is primitive and simple, where he is nearer to nature, and where man
himself is more natural. And then we have _The Cossacks_, in which
Tolstoy’s searchlights are thrown upon the primitive life of the old
huntsman, the Cossack, Yeroshka, who lives as the grass lives, without
care, without grief, and without reflection. Once more we feel that the
soul of the writer is dissatisfied, still searching for something he
has not found.
In 1854, Tolstoy took part in the Crimean War, which supplied him with
the stuff for what are perhaps the most truthful pictures of war that
have ever been written. But even here, we feel he has not yet found
his heart’s desire. Something is wrong. He was recommended for the St.
George’s Cross, but owing to his being without some necessary official
document at the time of his recommendation, he failed to receive it.
This incident is a symbol of the greater failure, the failure to
achieve the inward happiness that he is seeking--a solid ground to
tread on, a bridge to the infinite, a final place of peace. In his
private diary there is an entry made at the commencement of the war,
while he was at Silistria, which runs as follows:
Public-domain text, read in full here on John Shaqi.
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