British -- China -- Fiction; English fiction -- 20th century; Fantasy fiction
Arrayed in harmonious splendours, they floated, next morning, in a
crowd of fragile and fantastic boats of red, yellow and black, through
lanes of flushed lotuses towards the Rock. Servants paddled them. Here
and there an unknown white bird with crimson beak walked sedately on
the carpet of leaves, or a green-headed duck dabbled with his bill
among the stalks of the water-lilies. The Rock itself, at the distance
of half a mile, covered with foliage and flowers, looked as if some
lake-dragon, rising from the fathomless bottom, had thrust up the
carpet of lilies with his back and fallen asleep on the water.
“It’s black and mysterious down there, among the stalks of the lilies,”
whispered Lychnis. “One would like to be a fish and swim down among
oozy roots. It must be wonderful to be a fish and nose about in a
reed-world. But aren’t they pure, the lotuses? Like the flushing
thoughts that sometimes come up from our black insides.”
“It is remarkable,” observed Quentin from under his canopy, “that a
creature with so much in the way of tripes should throw off the dewy
cobwebs of imaginations that one so often has.”
“Illusions,” said Blackwood.
“It’s lovely floating on water,” said Ruby. “I’m ready to live any
number of lives like this, Mr. Blackwood.”
He firmly shut his ascetic lips, and his eyelids too (notes Ambrose),
shutting them down on the bright summer-morning picture of Lychnis,
full length and slender in her floating casket of coral.
“You’re not frightened, Ruby?” queried her friend across the separating
leaf-carpet.
She shook her head.
But perhaps Lychnis herself was just a little dubious when they came
within a hundred yards of the sun-beaten Rock and closely saw its
dragon-spine ridge, its burden of pine and fig-tree, and its steep
side, with little exquisite summer-houses pat to the colour and design
of contour and foliage. And they were all a little silent when,
rounding the head of the island, they entered its shadow and paddled
under its towering wall. This was on the side of the Lake away from
their Pavilion; they were cut off, so to speak, from what they knew.
But the island seemed civilized and friendly enough. The wall of rock,
coming up sheer out of the depths of the Lake (one could see great carp
and wondrous fish nosing in crannies many feet below), was alive, a
wrinkled meditation in stone. Reeds fringed it here and there, foliage
hung in cascades from the summit, an arbour or a garden seat stood by
some perilous path, under pine, rhododendron or orange-tree. Then,
coming to a sheltered bight between two flying and fantastic buttresses
of rock, they saw a flight of steps, gleaming and twisting up the cliff
like a devil in anguish, and at the foot of the steps, by the water’s
edge, the Dragon itself waited courteously on a marble quay to receive
them.
Public-domain text, read in full here on John Shaqi.
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