Laughter: An Essay on the Meaning of the ComicBergson, Henri
Philosophy
Laughter: An Essay on the Meaning of the Comic
Bergson, Henri
Comedy; Laughter; Philosophy, French
A mechanical element introduced into nature and an automatic regulation
of society, such, then, are the two types of laughable effects at which
we have arrived. It remains for us, in conclusion, to combine them and
see what the result will be.
The result of the combination will evidently be a human regulation of
affairs usurping the place of the laws of nature. We may call to mind
the answer Sganarelle gave Geronte when the latter remarked that the
heart was on the left side and the liver on the right: "Yes, it was so
formerly, but we have altered all that; now, we practise medicine in
quite a new way." We may also recall the consultation between M. de
Pourceaugnac's two doctors: "The arguments you have used are so erudite
and elegant that it is impossible for the patient not to be
hypochondriacally melancholic; or, even if he were not, he must surely
become so because of the elegance of the things you have said and the
accuracy of your reasoning." We might multiply examples, for all we
need do would be to call up Moliere's doctors, one after the other.
However far, moreover, comic fancy may seem to go, reality at times
undertakes to improve upon it. It was suggested to a contemporary
philosopher, an out-and-out arguer, that his arguments, though
irreproachable in their deductions, had experience against them. He put
an end to the discussion by merely remarking, "Experience is in the
wrong." The truth is, this idea of regulating life as a matter of
business routine is more widespread than might be imagined; it is
natural in its way, although we have just obtained it by an artificial
process of reconstruction. One might say that it gives us the very
quintessence of pedantry, which, at bottom, is nothing else than art
pretending to outdo nature.
To sum up, then, we have one and the same effect, which assumes ever
subtler forms as it passes from the idea of an artificial MECHANISATION
of the human body, if such an expression is permissible, to that of any
substitution whatsoever of the artificial for the natural. A less and
less rigorous logic, that more and more resembles the logic of
dreamland, transfers the same relationship into higher and higher
spheres, between increasingly immaterial terms, till in the end we find
a mere administrative enactment occupying the same relation to a
natural or moral law that a ready-made garment, for instance, does to
the living body. We have now gone right to the end of the first of the
three directions we had to follow. Let us turn to the second and see
where it will lead us.
Public-domain text, read in full here on John Shaqi.
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