Laughter: An Essay on the Meaning of the ComicBergson, Henri
Philosophy
Laughter: An Essay on the Meaning of the Comic
Bergson, Henri
Comedy; Laughter; Philosophy, French
2. Our starting-point is again "something mechanical encrusted upon the
living." Where did the comic come from in this case? It came from the
fact that the living body became rigid, like a machine. Accordingly, it
seemed to us that the living body ought to be the perfection of
suppleness, the ever-alert activity of a principle always at work. But
this activity would really belong to the soul rather than to the body.
It would be the very flame of life, kindled within us by a higher
principle and perceived through the body, as if through a glass. When
we see only gracefulness and suppleness in the living body, it is
because we disregard in it the elements of weight, of resistance, and,
in a word, of matter; we forget its materiality and think only of its
vitality, a vitality which we regard as derived from the very principle
of intellectual and moral life, Let us suppose, however, that our
attention is drawn to this material side of the body; that, so far from
sharing in the lightness and subtlety of the principle with which it is
animated, the body is no more in our eyes than a heavy and cumbersome
vesture, a kind of irksome ballast which holds down to earth a soul
eager to rise aloft. Then the body will become to the soul what, as we
have just seen, the garment was to the body itself--inert matter dumped
down upon living energy. The impression of the comic will be produced
as soon as we have a clear apprehension of this putting the one on the
other. And we shall experience it most strongly when we are shown the
soul TANTALISED by the needs of the body: on the one hand, the moral
personality with its intelligently varied energy, and, on the other,
the stupidly monotonous body, perpetually obstructing everything with
its machine-like obstinacy. The more paltry and uniformly repeated
these claims of the body, the more striking will be the result. But
that is only a matter of degree, and the general law of these phenomena
may be formulated as follows: ANY INCIDENT IS COMIC THAT CALLS OUR
ATTENTION TO THE PHYSICAL IN A PERSON WHEN IT IS THE MORAL SIDE THAT IS
CONCERNED.
Public-domain text, read in full here on John Shaqi.
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