“And is that all? Does little Harry Brown end the catalogue?”
The question is a perfectly natural one, and put as naturally, yet it
sets her trembling again.
“Yes, I think so.”
“If you remember any more, I would rather hear them.”
To that she seems to think no answer needed. They are beyond the village
now, and on that high-road whose sociability he had vaunted to her. For
the time it seems less frequented than he had promised, the workmen
having gone home, and no market-day enlivening it with uncertainly
driving men and gaily-hatted girls, three on a seat, in returning
market-carts. Their only companion is the Spring, in that gaudiest of
her moments when she is about to lose herself in Summer, daring her
elder sister to vie with her sheeted hawthorn, her “golden chains,” her
matchless output of leaf and blossom. And how blessedly different is
each tree and shrub’s idea of spring! How various their method of
expressing it! Some in odorous flower-bunches, some in green tassels,
some in uniformity of colour, some in motley, their varying thoughts are
diversely coloured, bronze and yellow, and dazzling gold-green.
To pause a while seems almost a necessity, yet Lavinia shivers; for
Rupert has stopped and faced her, and there is no one in sight. Has he
lured her hither with an assurance of publicity, only to make his
belated claim upon her? As before, he reads her fear, and answers it.
“No!” he says, stepping back a couple of feet, yet still holding her at
the disadvantage of commanding that full-face view which is so much less
manageable a thing for the purpose of concealment than a profile; “do
not be afraid: there is not the least cause for alarm! I only wanted to
ask you if you are _quite_ sure that little Johnny Brown’s double
pneumonia closes our casualty list?”
Then she knows that he knows.
CHAPTER XIX
Public-domain text, read in full here on John Shaqi.
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