“Oh no! Why should she?” he exclaims energetically, with another of
those forbidden struggles of his to sit up.
In authoritatively compelling him into recumbence again, Miss Prince’s
cap-strings somehow get into her victim’s eyes. Lavinia’s last sight of
him is lying back exhausted by the remedies applied, much more than by
his own imprudent movement; smiling faintly, with a patience much
superior even to that which he had exhibited while lying wounded at the
donga-bottom, through the endless hours of the winter night; _smiling_,
while Féodorovna, taking it for granted that he feels faint, fans him
with a vigour that makes the end of his pinched nose and his tired
eyelids tremble.
CHAPTER IX
Féodorovna has ejected her so early that she need not go home at once.
This is Lavinia’s first thought on getting outside the house. It is but
rarely that Miss Carew is not wanted in her own little _milieu_; but
to-day she would be superfluous. Her uncle and Rupert are busy with the
lawyer, who has come down from London--busy over settlements: a
settlement upon herself; provision for the younger children--her younger
children, hers and Rupert’s! If she walk very fast, perhaps she may
outwalk this last thought. But it is a good walker; it keeps up with
her. Possibly she might lose it in the wood. The idea results in a
_détour_, which will involve passing through a portion of it. The word
“wood” is perhaps a misnomer, for the grown trees are few and sparse;
and yet by what other name can you describe these silvan miles of young
chestnut, oak, and birch growths, that every ten years fall beneath the
hatchet, to continually renew their tireless upspringing? Where only
recently amputated stumps remain, the flowers grow far the lushest.
She pauses on reaching a spot where a quarter-acre of ground is utterly
given over to the innocent loveliness of the cuckoo-flower, dog-violet,
primrose, “firstborn child of Ver,” and purpling wood anemone. She
stands looking down at them, as if she had never seen them before; as if
these lowly, lifelong friends were the new-seen blossoms of a nobler
planet. What has happened to her senses, that she sees and hears and
smells with such three-fold keenness? Why does she feel so startlingly
alive? The wonder drives Rupert’s younger children successfully into the
background of her mind. Yet this bounding new consciousness of the
splendour of life--life actual, this bursting irrepressible life of the
field and the woodland--and life possible--cannot answer, when the
roll-call of emotions is called, to the name of pleasure.
Public-domain text, read in full here on John Shaqi.
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