Lead Kindly Light: Its Origin and Its Romance — John Shaqi
Lead Kindly Light: Its Origin and Its RomanceSutherland, Allan
Religion
Lead Kindly Light: Its Origin and Its Romance
Sutherland, Allan
Hymns, English -- History and criticism
[Illustration: uncaptioned]
_Famous Hymns of the World Series_
_Lead Kindly Light_
_ITS ORIGIN AND ITS ROMANCE_
BY
ALLAN SUTHERLAND
WITH AN INTRODUCTION
BY
THE REV. HENRY C. McCOOK
D.D., LL.D., Sc.D.
_Illustrated_
[Illustration: Decorative glyph]
NEW YORK
FREDERICK A. STOKES COMPANY
PUBLISHERS
Copyright, 1905
By The Butterick Publishing Co., Ltd.
Copyright, 1906
By Frederick A. Stokes Company
[Illustration: uncaptioned]
INTRODUCTORY
BY THE
REV. HENRY C. McCOOK, D.D., LL.D., Sc.D.[1]
{F}rom the earliest eras of history, religion has been wedded to song.
In every stage of civilisation and in well-nigh every form of worship
this has been true. From the rude ululations of savage medicine-men,
with the monotonous beat of tum-tums, to the splendid Levitical choir of
the Hebrew temple that rendered the psalms to the accompaniment of
stringed and brazen instruments, the record does not vary.
How rhythm and melody react upon the religious sentiment, and why
religious experience naturally flows in rhythmic utterance, one need not
here inquire. Such inquiries belong to the natural history of sacred
psalmody. But there are our sacred books to attest the facts. A large
part of them are poems. The poets of ancient Israel were true prophets.
The core of the Hebrew religion and worship lay within its religious
songs; and these are the portions of its ritual that have lived; and one
may safely predict that they shall run the whole cycle of being with our
race.
As far back as the days of Moses, we read of Miriam under a prophetic
impulse breaking forth into song to commemorate the deliverance of
Israel from the Egyptians on the peninsular shore of the Red Sea. A
refrain of that hymn has come down to us:
“Sing unto the Lord for He hath triumphed gloriously;
The horse and his rider He hath whelmed within the sea.”
That such religious songs were not rare and that their musical utterance
was even then organized as a part of worship, appears from the fact that
Miriam’s countrywomen accompanied her with their guitars, and joined in
the chorus.
Public-domain text, read in full here on John Shaqi.
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