The following is from Howe’s First Report of the Blind Asylum: “Blindness has been in all ages one of those instruments by which a mysterious Providence has chosen to afflict man; or rather it has not seen fit to extend the blessing of sight to every member of the human family. In every country there exists a large number of human beings, who are prevented by want of sight from engaging with advantage in the pursuits of life, and who are thrown upon the charity of their more favored fellows.”... The following is from the monumental justification of his ideas as put forth in the Second Report to the Massachusetts State Board of Charities in 1866:-- “Finally, they (the board) have dwelt upon the importance of knowing and obeying all the natural laws, because they are ordained by our beneficent God and Father, to bind together by bonds of mutual interest and affection all the children of His great human family; and to prepare them here, for his good will and pleasure hereafter.” The thought in each of these passages is the same. Blindness, deficiency, in fact evil, are to be accepted as part of the divine will. This thought, taken in conjunction with the conception of the unity of human nature, form the whole of Howe’s philosophy. The conventional language of piety in which Howe generally expresses himself, may perhaps conceal from some persons the first-hand power of his nature. He seems only to be saying what everybody knows; but the difference is that Howe sees the truth as a fact. It is not so much a philosophic reality or abstraction as a first-hand visual perception, always new, always reliable. The different specific reforms with which Howe is to be credited are neither deductions from theory, nor the summary of experiments made by him; but simply things seen in themselves to be true. They can all of them be grouped under almost any one of Christ’s sayings. I shall return to this subject after speaking of Laura Bridgman, who has been waiting too long. The early history of the Boston Blind Asylum is like a great mediæval romance--voluminous, glowing, many-sided. That history is recorded in multitudinous documents and papers, letters, arguments, reports, anecdotes--the whole mass of them being illumined by the central figure of Howe who looms through the story like Launcelot or Parsifal. Overpowering indeed is this literature, and it ought not to be condensed. One should wander, and explore and browse in it. If I make a few extracts from the story, it is not as a summary, but rather as an advertisement. There are certain events that you cannot summarize, but only introduce. The texture of them is greater than any condensation can make it.