Leaves from the Diary of an Impressionist: Early WritingsHearn, Lafcadio
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Leaves from the Diary of an Impressionist: Early Writings
Hearn, Lafcadio
Literature
Seated that evening on a balcony that jutted out under the star-light,
above the crests of palmettos, I pondered upon the legend of the
Fountain. It was among the Bahamas that Juan Ponce de Leon first sought
for the waters of youth,--striving to discover some island vapory
and vague as Hesperus, and questioning curiously the Indians of the
Archipelago. Then it was he heard of the mainland where 'the wished-for
waters flowed as a river upon whose banks lived the rejuvenated races
in serene idleness and untold luxuriance.' Was this a rumor of the
spring with a silver name, whose waters indeed 'flow as a river'?--or
was it an Indian tale of some other one of those many and wondrous
Floridian sources whose unfathomed transparencies own the iridescent
magnificence of jewel-fire? Or might not the valiant Spaniard have
heard in his boyhood some Moorish story of that mystic fountain which
the Prophet Khader alone of all God's creatures was permitted to find?
And that Moslem tradition itself, had it not been brought to Islam by
Arabian travelers to the further East,--as a bud from the marvelous
garden of Hindoo myth,--a fairy-flower created by the poet-wizards of
India,--a blossom of parable, perchance, called into being by the lips
of Buddha? 'Not wholly thus,' deep scholars answer; 'for the legend of
Gautama is only a poem evolved from ancient myths of the Sun-god; and
the fable of the Fountain doubtless first sprang from the primitive
belief that the Day-star, whose glory waned with evening, nightly
renewed the strength of his splendor by bathing in the fountains of
Ocean,--in the enchanted waters of the West.' Perhaps, perhaps!--But
can we boldly aver that the beautiful myth is not more ancient
still,--old as love,--old as the mourning for the dead,--old as the
heart of man, and its dreams of the eternal, and its desires of the
impossible?
_May_ 5, 188-
Public-domain text, read in full here on John Shaqi.
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