Leaves from the Diary of an Impressionist: Early WritingsHearn, Lafcadio
General
Leaves from the Diary of an Impressionist: Early Writings
Hearn, Lafcadio
Literature
From the deck of the slender Osceola, looking up the river, the eye
can seldom see more than a hundred yards of the Ocklawaha at one
time: so sudden and so multitudinous are the turns of the stream that
the boat seems ever steering straight for land,--continually moving
into fluvial recesses without an exit. But always as she seems about
to touch the bank, a wooded point detaches itself from the masses of
verdure,--a sharp curve betrays its secret,--a new vista terminating
in new mysteries of green, opens its gates to our prow. Narrow
and labyrinthine the river is, but so smooth that like a flood of
quicksilver it repeats inversely all the intricacies of tangle-growths,
all delicate details of leaf and blossom, all the bright variations
of foliage-color. And gradually one discerns a law of system in those
diversities of tint,--an ordination in the variety of tree-forms. Near
the water the swamp-growth is dwarfed, tufted, irregular, but generally
bright of hue; further back it rises to majestic maturity, offering a
long succession of domes and cupolas of frondescence, alternated with
fantastic minarets of cypress; behind all, the solid and savage forest
towers like a battlement, turret above turret, crown above crown,--oak
and ash, maple and pine. The dominant tone is the light green of the
pines and the gum trees, and the younger ranks of cypress; but the
elder cypress and the myrtles, and the younger ash, break through
with darker masses of color. Singularly luminous greens also shine
out at intervals in the wreathings of love-vines and in the bursts of
sweet-bay. But whether radiant or sombre, the color is seen as through
a gauze,--through the gray veil ubiquitously woven by the aerial moss
that fringes every crest, that drools from every twig, that droops in
myriad festoons, that streams in hoary cascades from every protruding
bough. And mistletoe mingles with the moss, and air-plants nestle
in the armpits of the cypresses, and orchids bloom on dead limbs;
while, from the morass below, extraordinary parasitic things, full of
snaky beauty, climb and twine and interwreathe, often to lose their
strangling hold at last, and fall back in spiral coils.
Then also, to right and left, broad bands of translucent green begin
to edge the river surface,--the nations of the water-lilies uprearing
their perfumed heads,--some whiter than moon-light, some yellower than
gold. All start and tremble at our passing, as though suddenly aroused
from slumber; and I long watch them nodding in our wake, more and more
drowsily, slowly settling down to dream again.
Public-domain text, read in full here on John Shaqi.
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