Leaves from the Diary of an Impressionist: Early Writings — John Shaqi
Leaves from the Diary of an Impressionist: Early WritingsHearn, Lafcadio
General
Leaves from the Diary of an Impressionist: Early Writings
Hearn, Lafcadio
Literature
streaming over the stone. Nothing could be more grotesquely realistic
than the sculptured helplessness of that Lamb; yet we may well doubt if
he who chiseled it was moved by any spirit of sardonic symbolism,--any
memory of those Argonauts of the sixteenth century, who found a new
Colchis in the West, and a new Fleece, whereof the shearing yielded in
less than one generation three hundred tons of gold.
Now the moat is haunted by lizards and lovers only; and there
are buzzards upon the sentry towers; and there are bats in the
barbican:--it is just sixty-five years since the last Spanish trooper
tramped out of the sally-port, never to come back. But squamated as the
structure is, the dignity of it imposes awe,--the antiquated vastness
of it compels respect for the vanished grandeur of Spain; the majesty
of its desolation is unspeakable.--I think one feels it most on wild
days, when the mighty drum-roll of the breakers is sounded from the
harbor bar, and the winds of the Atlantic blow their mad clarions in
the barbican, and all the white cavalry of Ocean charge the long coral
coast.
... A Shadow descends the counterscarp of the sea-battery,--passes the
covered way,--crosses the ditch,--mounts the scarp,--vanishes beyond
the bastions. A moment more and it reappears,--still coming from the
sea; it is moving in circles with a swift swimming motion, as of an
opaqueness floating vaguely in the humors of the eye. Now it is only a
passing fleck, a shapeless blot; now it is the phantom of a boat.
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