Leaves from the Diary of an Impressionist: Early WritingsHearn, Lafcadio
General
Leaves from the Diary of an Impressionist: Early Writings
Hearn, Lafcadio
Literature
Then it seemed to me that I stood in a place of burial, and that, in
some inexplicable way, I could observe the processes of that dark
alchemy by which flesh is transmuted into leaf and fruit,--by which
blood is transformed into blossom, as in the old Greek myths, and into
the living substance also of those creatures, gem-winged, jewel-eyed,
that feed upon the juices, the honey, and the fruit of graveyard
flora. Then suddenly the mystery of the blonde name again came before
me--this time upon a graven square of marble; and in a little while I
thought I knew the story of the dead; for this impossible and nameless
legend shaped itself in my sleep.
VULTUR AURA
_June_ 2, 188-
... _San Juan de los Pinos_:--'Saint John of the Pines,' That was the
name of the ancient fort. And in those days the names of the bastions
also were names of the Evangelists and the Apostles.
There is a ghostliness in the name! Why Saint John _of the pines_? Was
this low shore beshadowed in the sixteenth century by pines tremendous,
immemorial, more ancient than man,--through whose colossal aisles
the sea-gusts spake with utterance vague and vast as the Wind of the
Spirit? Did the roar of the far-off reef, the mutterings of the mighty
woods, evoke for Spanish piety dim fancies of the Voices of Patmos, of
the Thunders and the Trumpetings?
It was a timber stronghold only,--that forgotten fort, thus placed
beneath the protection of weird Saint John,--a rampart-work of pine.
Then were discovered the virtues of the coquina,--that wonderful
shell-rock which seems marble half formed, half crystallized, under the
pressure of shallow seas; and out of it was Fort San Marco built,--very
solidly, very mathematically, very slowly,--by the labor of more than a
century and the expenditure of thirty millions of good Spanish dollars.
Two hundred and fifty years ago they began to build it; to-day it
stands well-nigh as strong as in the time when Oglethorpe's English
cannon played on it in vain. Now the profane Americano, who putteth no
trust in saints, but in his own strength only, calleth it Fort Marion;
and the lizards dwell in it; and the spider weaves her tapestries
above its chapel-altar; and the dust is deep in the holy-water fonts,
where Catholic swordsmen once dipped their sinewy hands. But over
the great sally-port you may still discern the Arms of Spain,--the
Crown, the Shield, the triple turrets of Castile, the rampant Lions
of Leon, and, encircling these, the sculptured Order of the Fleece of
Gold. Salty winds have chapped the relief;--the fingers of the rain
have worn it down as the smooth face of a coin is worn;--the wings of
Time have brushed away the edges of the tablet,--and besmirched the
Fleece of Gold,--and obliterated, as in irony, the title of the King,
and the beginning of the solemn inscription,--REYNANDO EN ESPANA. The
REY is gone forever!--syllable and potentate! Underneath the pendant
Lamb,--now black,--there are dark stains of drippings,--as of blood
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account