Leaves from the Diary of an Impressionist: Early Writings — John Shaqi
Leaves from the Diary of an Impressionist: Early WritingsHearn, Lafcadio
General
Leaves from the Diary of an Impressionist: Early Writings
Hearn, Lafcadio
Literature
How long will even that ruined Past endure? The somnolent quiet of the
old streets is being already broken by the energetic bustle of American
commerce; the Northern Thor is already threatening the picturesque
town with iconoclastic hammer. Colossal capital advances menacingly
from the southern side, showing the sheet-lightning of its gold. One
huge firm has already devoured a whole square, and extended itself
into four streets at once, cruciform-wise, like a Greek basilica. Even
the old Napoleon First furniture sets, the massive four-pillared beds,
the ponderous cabinets curiously carved, the luxuriant fauteuils, the
triple-footed tables,--all these solid household gods which stood upon
eagle feet of gilded brass,--are being bought up by shrewd speculators
and sent North, to fetch prices which no one here would dream of
paying. Perhaps the antique life will make its last rally about the
old Place d'Armes (_Plaza de Armas,_) in the vicinity of the quaint
cathedral, under the shadow of those towers whose bells for a hundred
years have rung diurnally for the repose of the soul of _Don_ _André
Almonaster Roxas_, _Knight of the Royal and Distinguished Spanish
Order of Charles III., Regidor and Alferez-Real of His Most Catholic
Majesty_. So long as the iron tongues of those bells can speak, so
long as the iron heart of the great tower-clock shall beat, something
of the old life and the old faith must live in the creole quarter.
Long after most of the quaint architecture shall have disappeared I
fancy those two massive Spanish edifices, the old Cabildo and Casa
Curial, will still remain standing upon either side of the cathedral,
like grim soldiery guarding a commissary of the Holy Inquisition. The
Spaniard builded well: after the lapse of nearly a hundred years, those
rugged edifices testify grandly to the solid Roman character of their
creators. The plaster may peel from the stout pillars of their arcades;
but dilapidation only adds nobility to their quaintness; they are
dignified by the scars of their battle with Time; they are imposing
without loftiness; they are superb without artifice--deep-shouldered,
thick-set, broad-backed, firm upon their feet, like veteran troops,
like the splendid Spanish infantry of three hundred years ago.
CREOLE WOMEN IN THE FRENCH WEST INDIES
I
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