Lectures and biographical sketchesEmerson, Ralph Waldo
Philosophy
Lectures and biographical sketches
Emerson, Ralph Waldo
American essays -- 19th century; Speeches, addresses, etc., American -- 19th century
Not a mathematical axiom but is a moral rule. The jest and byword to
an intelligent ear extends its meaning to the soul and to all time.
Indeed, all productions of man are so anthropomorphous that not
possibly can he invent any fable that shall not have a deep moral and
be true in senses and to an extent never intended by the inventor.
Thus all the bravest tales of Homer and the poets, modern philosophers
can explain with profound judgment of law and state and ethics. Lucian
has an idle tale that Pancrates, journeying from Memphis to Coppus,
and wanting a servant, took a door-bar and pronounced over it magical
words, and it stood up and brought him water, and turned a spit, and
carried bundles, doing all the work of a slave. What is this but a
prophecy of the progress of art? For Pancrates write Watt or Fulton,
and for “magical words” write “steam;” and do they not make an iron
bar and half a dozen wheels do the work, not of one, but of a thousand
skilful mechanics?
“Nature,” said Swedenborg, “makes almost as much demand on our faith
as miracles do.” And I find nothing in fables more astonishing than
my experience in every hour. One moment of a man’s life is a fact
so stupendous as to take the lustre out of all fiction. The lovers
of marvels, of what we call the occult and unproved sciences, of
mesmerism, of astrology, of coincidences, of intercourse, by writing
or by rapping or by painting, with departed spirits, need not reproach
us with incredulity because we are slow to accept their statement. It
is not the incredibility of the fact, but a certain want of harmony
between the action and the agents. We are used to vaster wonders than
these that are alleged. In the hands of poets, of devout and simple
minds, nothing in the line of their character and genius would surprise
us. But we should look for the style of the great artist in it, look
for completeness and harmony. Nature never works like a conjuror, to
surprise, rarely by shocks, but by infinite graduation; so that we live
embosomed in sounds we do not hear, scents we do not smell, spectacles
we see not, and by innumerable impressions so softly laid on that
though important we do not discover them until our attention is called
to them.
For Spiritism, it shows that no man almost is fit to give evidence.
Then I say to the amiable and sincere among them, these matters are
quite too important than that I can rest them on any legends. If I
have no facts, as you allege, I can very well wait for them. I am
content and occupied with such miracles as I know, such as my eyes and
ears daily show me, such as humanity and astronomy. If any others are
important to me they will certainly be shown to me.
In times most credulous of these fancies the sense was always met and
the superstition rebuked by the grave spirit of reason and humanity.
When Hector is told that the omens are unpropitious, he replies,--
“One omen is the best, to fight for one’s country.”
Public-domain text, read in full here on John Shaqi.
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