Three years afterwards (1560) there was published in the same city, “The
Bible and Holy Scriptures conteyned in the Olde and Newe Testament.
Translated according to the Ebrue and Greeke, and conferred with the best
translations in divers languages. With moste profitable annotations upon
all the hard places, and other things of great importance as may appeare
in the epistle to the reader.” This is the celebrated Genevan version,
which for nearly a century onward was the form of Bible most largely
circulated in this country. It differed in several respects from its
predecessors. It was a convenient quarto instead of a cumbrous folio. It
was printed in Roman letters instead of the heavy Gothic or black letters.
It marked by a different type all words inserted for the completion of the
sense, and the chapters were divided into verses. But what was of more
importance, it was, as stated in the title, compared throughout with the
original texts. Both in the Old and New Testaments it largely reproduces
the words of Tyndale. Sometimes it gives a preference to the version of
Coverdale; but often it departs from both in order to give a more exact
rendering of the Hebrew or the Greek. It seems that several of the Genevan
refugees consecrated their enforced leisure to “this great and wonderful
work,” as they justly term it, moved thereto by the twofold consideration
that, owing to “imperfect knowledge of the tongues,” the previous
“translations required greatly to be perused and reformed,” and that
“great opportunities and occasions” for doing this work were presented to
them in the “so many godly and learned men” into whose society they had
now been brought.
The names of Miles Coverdale, Christopher Goodman, Anthony Gilby, Thomas
Sampson, William Cole, and William Whittingham are given as those who,
with some others, joined in this undertaking. On the accession of
Elizabeth most of the exiles returned home, conveying with them, for
presentation to the Queen, the Book of Psalms as a specimen of the work on
which they were engaged.[24]
Public-domain text, read in full here on John Shaqi.
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