Lectures on Land Warfare; A tactical Manual for the Use of Infantry Officers: An Examination of the Principles Which Underlie the Art of Warfare, with Illustrations of the Principles by Examples Taken from Military History, from the Battle of Thermopylae, B.C. 480, to the Battle of the Sambre, November 1-11, 1918Anonymous
History
Lectures on Land Warfare; A tactical Manual for the Use of Infantry Officers: An Examination of the Principles Which Underlie the Art of Warfare, with Illustrations of the Principles by Examples Taken from Military History, from the Battle of Thermopylae, B.C. 480, to the Battle of the Sambre, November 1-11, 1918
Anonymous
Military art and science; Tactics
"The Art of War, in order to arrive at its aim (which is to impose its
will upon the enemy), knows but one means, the destruction of the
adversary's organised forces. So we arrive at the battle, the only
argument of war, the only proper end that may be given to strategical
operations, and we begin by establishing the fact that to accomplish
the aim of war the battle cannot be purely defensive. The results of a
defensive battle are exclusively negative; it may check the enemy in
his march; it may prevent him from achieving his immediate aim; but it
never leads to his destruction, and so is powerless to achieve the
wished-for victory. Therefore, every defensive battle must terminate
with an offensive action or there will be no result" (Marshal Foch).
CHARACTERISTICS OF THE BATTLE.--No two battles are precisely similar,
but there are certain characteristics common to every battle.
In the first place, the issue is almost always uncertain, for events
which no human sagacity could provide against may occur to defeat the
wisest plans. The best chances, therefore, are on the side of the
commander who is provided with sufficient means to achieve his object,
who forms his plans with the greatest sagacity, and executes them with
the greatest ability. Decisive success has followed the combinations
of great commanders, and in the long run victory pays homage to
knowledge of the principles which underlie the art of war. {25}
In the second place, the human factor always plays its part in battle.
Troops lacking in discipline are liable to panic in face of a sudden
disaster, and even the best troops are liable to become unsteady if
their flank is gained.
In the third place, a comparatively small body of fresh troops thrown
into action at the right moment against greater numbers, if the latter
are exhausted by fighting, may achieve a success out of all proportion
to their numbers. For this reason a prudent commander will endeavour
to retain under his control some portion of his reserves, to be thrown
in after his adversary has exhausted his own reserve power.
To be superior at the point of attack is the Art of Warfare in a
nutshell, and for this reason attacks on separate points of a position
must be properly synchronised to be effective. The unbeaten enemy will
otherwise possess a mobile reserve with which to reinforce threatened
points. The attacks must be so timed that he throws them in piecemeal
or fails to reach the point mainly threatened.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account