Death -- Fiction; Friendship -- Fiction; Psychological fiction; Women novelists -- Fiction
“Darling Jasper, I thought better of you! Can’t you see the whole
thing’s a skit? Giving the jampot public what they wanted! Why, it’s
been out a year and they’re sucking the spoon still. It’s the
resting-place! Ask the libraries! Oh, can’t you see?”
“If it is parody,” said Mr. Flood slowly, “then, I admit, it’s unique.”
“What else? You’ll not deny humour to her?”
“I do!” the blonde lady nodded her head. “Once a woman is in love she’s
quite hopeless.”
“I don’t see how parody could be in question,” Anita broke in. “Anybody
reading the book carefully must see that she’s in earnest. That’s the
tragedy of it.”
“The literary tragedy?”
“Not only literary. The psychological value is enormous. It’s not art,
it’s record. It’s photography. That happened. That happened, tragically,
to Madala. Oh, not the trimmings, of course, not the happy-ever-after.
But to me it’s perfectly clear that that lapse into _Family Herald_
romance has had its equivalent in Madala’s own life. I’ve always felt a
certain weakness in her character, you know—a certain sentimentalism.”
“In the author of _Eden Walls_?” said Miss Howe contemptuously.
“No, dear lady! But in the author of _The Resting-place_.” Mr. Flood had
recovered himself.
“Skit, I tell you, skit!” she insisted. And they continued to bicker in
undertones while Anita summed up the situation.
“No, my theory is this—Madala Grey met some man——”
“Carey?” asked Mr. Flood, dividing his allegiance.
“No, Carey comes later. There was—an episode——”
“Episodes?” he amended.
“Possibly. But an episode anyhow, that I place myself at the end of the
_Ploughed Fields_ period. It may have been later, it may have been the
following summer while she was working at _The Resting-place_. I’m open
to conviction there. But an episode there must have been. In _The
Resting-place_ she wrote it down as it ought to have happened.”
“Why ought?”
“Well, obviously it didn’t happen or she wouldn’t have become Mrs.
Carey.”
“The gentleman loved and rode away, you mean?”
“Something of the sort. Something went wrong.”
“I see.” Miss Howe was interested. “It’s a theory, anyhow. And then in
sheer savage irony at her own weakness——”
“Not a bit. In sheer weak longing——”
“I see. If your theory is correct—I don’t know what you base it on——”
“Internal evidence,” said Anita airily.
“Then I can imagine that _The Resting-place_ was a relief to write. Poor
Madala!”
“And then,” concluded Anita triumphantly, “then appears Carey, and she’s
too worn out, too exhausted with her own frustrated emotions to care
what happens. The book’s in her head still, and she her own heroine. He
appears to her—I admit that it’s possible that even Carey might appear
to her—as a refuge, a resting-place.”
“Yes, but you don’t like Mr. Carey,” said the Baxter girl. “But if
Madala did? Isn’t it possible that in Madala’s eyes——? Why shouldn’t the
hero be Mr. Carey himself?”
Anita’s eyes were bright with the cold anger that she always showed at
the name.
Public-domain text, read in full here on John Shaqi.
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