Legends: Autobiographical SketchesStrindberg, August
General
Legends: Autobiographical Sketches
Strindberg, August
Dramatists, Swedish -- 19th century -- Biography; Strindberg, August, 1849-1912
He has cast away His cross and resumed His sceptre, and, as soon as
His temple on the Mont de Mars (formerly called "Mount of Martyrs")
is ready, He will come and rule the world Himself, and hurl from the
throne the false usurper, who finds the eleven thousand rooms known
as the _infamia Vaticani loca_ too narrow for him, laments over his
luxurious imprisonment, and kills the time with small excursions into
the field of poetry.
Leaving the picture of the Redeemer, as I arrived at the Saint Sulpice
market, I am astonished to find that the Church seems removed to
a great distance. It has gone back at least half a mile, and the
fountains proportionably. Have I then lost the sense for distances? As
I pass along the seminary wall it seems as though it would never end,
so interminable does it appear this evening. I spend half an hour in
traversing this small portion of the Rue Bonaparte, which generally
takes only five minutes. And before me there walks a figure, whose
gait and manner remind me of some one whom I know. I quicken my steps,
I run, but the Unknown presses forward with exactly corresponding
celerity, so that I never succeed in shortening the distance between
us. At last I have reached the trellis-gate of the Luxembourg. The
garden which was closed at sunset is sunk in silence and solitude, the
trees are bare, and the border-beds laid waste by frost and autumn
storms. But there is a good wholesome smell of dry leaves and fresh
earth.
Following the enclosing wall I go up the Rue de Luxembourg, and
always see in front of me the Unknown, who begins to interest me.
Clad in a traveller's mantle, which resembles mine, but is of opaline
whiteness, slight and tall like myself, he goes forward when I do,
remains standing when I remain standing, so that it seems as if I
were his guide and he depended on my movements. But one circumstance
particularly draws my attention to him, viz. that his mantle flutters
in a strong breeze which is quite imperceptible to me. In order to
clear up the matter I light a cigar, and as I perceive the smoke rise
steadily upward without wavering, my conviction that there is no
air-current, is strengthened. Moreover, the trees and bushes in the
garden are motionless. After we have reached the Rue Vavin I turn off
to the right, and at the same moment find myself transported from the
pavement to the middle of the garden without understanding how it has
happened, as the gates are closed.
Public-domain text, read in full here on John Shaqi.
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