Legends: Autobiographical SketchesStrindberg, August
General
Legends: Autobiographical Sketches
Strindberg, August
Dramatists, Swedish -- 19th century -- Biography; Strindberg, August, 1849-1912
Before me, at a distance of twenty steps, stands my companion turned
towards me. Round his beardless face of dazzling whiteness spreads
a luminous ring in the shape of an ellipse with the Unknown in the
centre. After he has given me a sign to follow him, he goes further.
The crown of rays accompanies him, so that the gloomy, cold, and
squalid garden is lit up as he goes. Moreover the trees, the bushes,
the plants grow green and blossom just as far as the rays of his
halo reach, but fade again when he has passed. I recognise the
great flowering canes with leaves like elephant's ears hanging over
the statuary group of Adam and his family, also the bed of Salvia
fulgens, the fire-red sage, the peach tree, the roses, the banana
plants, the aloes,--all my old acquaintances, each in his own place.
The only strange thing is that the seasons of the year seem to be
mingled together, so that the spring and autumn flowers are blooming
simultaneously.
But what surprises me more than anything is that nothing of all this
seems strange to me; it all appears quite natural and inevitable. So as
I walk along the bee-garden, a swarm of bees buzzes about the plants
and settles on the flowers, but in such an exactly defined circle
that the insects disappear as soon as they fly into the shadow. The
illuminated part of a sage-plant is covered with leaves and blossoms,
while the part in shadow is withered and blighted with hoar frost.
Under the chestnut trees there is a fascinatingly beautiful sight, as,
under the foliage, an empty dove's nest is suddenly taken possession of
by a cooing pair of doves.
At last we have reached the Fleurus Gate, and my guide signs to me to
remain standing. Within a second he is at the other end of the garden,
at the Gay-Lussac Gate, at a distance which appears to me immense,
although it is only about a quarter of a mile. In spite of the distance
I can see the Unknown surrounded by his oval halo. Without speaking a
word or moving a muscle of his mouth he bids me approach. I seem to
divine his purpose as I traverse the long avenue, the racecourse well
known to me for years bounded at the end by the cross of the Pantheon,
which stands in blood-red relief against the dark sky.
The Way of the Cross and, perhaps, the fourteen Stations, if I
am not mistaken. Before I begin it, I make a sign that I wish to
speak, question, and receive explanation. My guide answers with an
inclination of the head that he is ready to hear what I have to
say. At the same moment the Unknown changes his position without the
slightest perceptible movement or rustle. The only thing I notice is,
that as he approaches me the air is filled with a perfume as of balsam,
which makes my heart and lungs swell, and gives me courage to dare the
contest.
I commence my questioning--
"Thou art he who has followed me for two years. What would'st thou of
me?"
Public-domain text, read in full here on John Shaqi.
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