Ballads, Spanish; Legends -- Spain; Spanish literature -- History and criticism
If, spent with journeying, a stranger should seat himself in some
garden in old Granada, and from beneath a tenting of citron and
mulberry leaves open his ears to the melody of the waters of the City
of Pomegranates and his spirit to the sorcery of its atmosphere,
he will gladly believe that in the days when its colours were less
mellow and its delicious air perhaps less reposeful the harps of its
poets were the looms upon which the webs of romance were woven. Almost
instinctively he will form the impression that the Spaniard, having
regained this paradise after centuries of exile, and stirred by the
enchanted echoes of Moorish music which still lingered there, was
roused into passionate song in praise of those heroes of his race who
had warred so ceaselessly and sacrificed so much to redeem it. But
if he should climb the Sierra del Sol and pass through the enchanted
chambers of the Alhambra as a child passes through the courts of dream,
he will say in his heart that the men who builded these rooms from the
rainbow and painted these walls from the palette of the sunset raised
also the invisible but not less gorgeous palace of Spanish Romance.
Or if one, walking in the carven shadows of Cordova, think on the
mosque Maqsura, whose doors of Andalusian brass opened to generations
of poets and astrologers, or on the palace of Azzahra, built of
rose and sea-coloured marbles rifled from the Byzantine churches of
Ifrikia, will he not believe that in this city of shattered splendours
and irretrievable spells the passion-flower of Romance burst forth
full-blown?
But we cannot trace the first notes of the forgotten musics nor piece
together the mosaic of broken harmonies in the warm and sounding
cities of the Saracens, neither in "that mine of silk and silver," old
Granada, nor among the marble memories of Cordova, whose market-place
overflowed with the painted parchments of Moorish song and science. We
must turn our backs on the scarlet southern land and ascend to the
bare heights of Castile and Asturias, where Christian Spain, prisoned
for half a thousand years upon a harsh and arid plateau, and wrought
to a high passion of sacrifice and patriotism, burst into a glory of
martial song, the echoes of which resound among its mountains like
ghostly clarions on a field of old encounter.
Public-domain text, read in full here on John Shaqi.
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