After going up the Rue St. Jacques, leaving the barrière on one side,
and following for some distance the old inner boulevard, you reach the
Rue de la Santé, then the Glacière, and just before coming to the small
stream of the Gobelins, you notice a sort of field, the only spot on
the long and monotonous belt of Parisian boulevards, where Ruysdael
would be tempted to sit down. I know not whence the picturesque aspect
is obtained, for you merely see a green field crossed by ropes, on
which rags hang to dry; an old house built in the time of Louis XIII.,
with its high-pitched roof quaintly pierced with garret-windows;
broken-down grating; a little water between poplar trees; women's
laughter and voices; on the horizon you see the Pantheon, the tree of
the Sourds-Muets, the Val de Grâce, black, stunted, fantastic, amusing,
and magnificent, and far in the background the stern square towers of
Notre Dame. As the place is worth the trouble of visiting, no one goes
there; scarce a cart or a wagon passes in a quarter of an hour. It once
happened that Marius's solitary rambles led him to this field, and on
that day there was a rarity on the boulevard, a passer-by. Marius,
really struck by the almost savage grace of the field, asked him: "What
is the name of this spot?"
The passer-by answered, "It is the Lark's field;" and added, "It was
here that Ulbach killed the shepherdess of Ivry."
But, after the words "the Lark," Marius heard no more, for a word at
times suffices to produce a congelation in a man's dreamy condition:
the whole thought is condensed round an idea, and is no longer capable
of any other perception. The Lark, that was the appellation which
had taken the place of Ursule in the depths of Marius's melancholy.
"Stay," he said, with that sort of unreasoning stupor peculiar to such
mysterious asides, "this is her field, I shall learn here where she
lives." This was absurd but irresistible, and he came daily to this
Lark's field.
CHAPTER II.
CRIMES IN EMBRYO INCUBATED IN PRISONS.
Public-domain text, read in full here on John Shaqi.
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