The modern listener to this eager talk may perhaps at first feel wearied. Suffocated by words, repelled by frequent crudity and confusion of metaphor, he may even be inclined to call the thought childish and the tone overwrought. But let him persevere. Let him read these letters as chapters in an autobiography, noting purpose and circumstance, and reading between the lines, as he may easily do, the experience of the writer. Before long the very accents of a living woman will reach his ears. He will hear her voice, now eagerly pleading with friend or wrong-doer, now brooding tender as a mother-bird over some fledgling soul, now broken with sobs as she mourns over the sins of Church and world, and again chanting high prophecy of restoration and renewal, or telling in awestruck undertone sacred mysteries of the interior life. Dante's Angel of Purity welcomes wayfarers upon the Pilgrim Mount "in voce assai più che la nostra, viva." The saintly voice, like the angelic, is more living than our own. These letters are charged with a vitality so intense that across the centuries it draws us into the author's presence. Imagination is inclined to see the canonized saints as a row of solemn figures, standing in dull monotony of worshipful gesture, like Virgins and Confessors in an early mosaic. Yet, as a matter of fact, people who have been canonized were to their contemporaries the most striking personalities among men and women striving for righteousness. They were all, to be sure, very good; but goodness, despite a curious prejudice to the contrary, admits more variety in type than wickedness, and produces more interesting characters. Catherine Benincasa was probably the most remarkable woman of the fourteenth century, and her letters are the precious personal record of her inner as of her outer life. With all their transparent simplicity and mediaeval quaintness, with all the occasional plebeian crudity of their phrasing, they reveal a nature at once so many- sided and so exalted that the sensitive reader can but echo the judgment of her countrymen, who see in the dyer's daughter of Siena one of the most significant authors of a great age. II