The system of the Museum is complete in intention as are its appointments in design. At present there are some fifteen thousand objects of art, “surprising in themselves” as, Count Smaltork would say, a complete exposition of the arts, from enamels to pottery and from brassware to stone-carving, of the State of Jeypore. They are compared with similar arts of other lands. Thus a Damio’s sword--a gem of lacquer-plaited silk and stud-work--flanks the _tulwars_ of Marwar and the _jezails_ of Tonk; and reproductions of Persian and Russian brasswork stand side by side with the handicrafts of the pupils of the Jeypore School of Art. A photograph of His Highness the present Maharaja is set among the arms, which are the most prominent features of the first or metal-room. As the villagers enter, they salaam reverently to the photo, and then move on slowly, with an evidently intelligent interest in what they see. Ruskin could describe the scene admirably--pointing out how reverence must precede the study of art, and how it is good for Englishmen and Rajputs alike to bow on occasion before Gessler’s cap. They thumb the revolving cases of cloths do these rustics, and artlessly try to feel the texture through the protecting glass. The main object of the Museum is avowedly provincial--to show the craftsman of Jeypore the best that his predecessors could do, and to show him what foreign artists have done. In time--but the Curator of the Museum has many schemes which will assuredly bear fruit in time, and it would be unfair to divulge them. Let those who doubt the thoroughness of a Museum under one man’s control, built, filled, and endowed with royal generosity--an institution perfectly independent of the Government of India--go and exhaustively visit Dr. Hendley’s charge at Jeypore. Like the man who made the building, he refuses to talk, and so the greater part of the work that he has in hand must be guessed at. At one point, indeed, the Curator was taken off his guard. A huge map of the kingdom showed in green the portions that had been brought under irrigation, while blue circles marked the towns that owned dispensaries. “I want to bring every man in the State within twenty miles of a dispensary, and I’ve nearly done it,” said he. Then he checked himself, and went off to food-grains in little bottles as being neutral and colourless things. Envy is forced to admit that the arrangement of the Museum--far too important a matter to be explained offhand--is Continental in its character, and has a definite end and bearing--a trifle omitted by many institutions other than Museums. But--in fine, what can one say of a collection whose very labels are gilt-edged! Shameful extravagance? Nothing of the kind--only finish, perfectly in keeping with the rest of the fittings--a finish that we in _kutcha_ India have failed to catch. That is all!