From the Museum go out through the city to the Maharaja’s
Palace--skilfully avoiding the man who would show you the Maharaja’s
European billiard-room, and wander through a wilderness of sunlit,
sleepy courts, gay with paint and frescoes, till you reach an inner
square, where smiling grey-bearded men squat at ease and play
_chaupur_--just such a game as cost the Pandavs the fair Draupadi--with
inlaid dice and gaily lacquered pieces. These ancients are very polite
and will press you to play, but give no heed to them, for _chaupur_ is
an expensive game--expensive as quail-fighting, when you have backed the
wrong bird and the people are laughing at your inexperience. The
Maharaja’s Palace is arrogantly gay, overwhelmingly rich in candelabra,
painted ceilings, gilt mirrors and other evidences of a too hastily
assimilated civilisation; but, if the evidence of the ear can be
trusted, the old, old game of intrigue goes on as merrily as of yore. A
figure in saffron came out of a dark arch into the sunlight, almost
falling into the arms of one in pink. “Where have you come from?” “I
have been to see ----” the name was unintelligible. “That is a lie: you
have _not_!” Then, across the court, some one laughed a low croaking
laugh. The pink and saffron figures separated as though they had been
shot, and disappeared into separate boltholes. It was a curious little
incident, and might have meant a great deal or just nothing at all. It
distracted the attention of the ancients bowed above the _chaupur_
cloth.
Public-domain text, read in full here on John Shaqi.
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