Letters of Peregrine PickleUpton, George P. (George Putnam)
General
Letters of Peregrine Pickle
Upton, George P. (George Putnam)
Chicago (Ill.) -- Social life and customs -- 19th century -- Fiction
in the light of Mrs. Grundy. In the other we saw him as
himself. We wear a double suit; one which we know is a lie, for the
world; the other, which we know is the truth, for ourselves.
The world will get very near to the millenium when Mrs. Grundy dies.
Until that time the lion and the lamb will not lie down together. If
they do, the lion will try to convince himself that he is a lamb,
although he is aching to breakfast on him, and the lamb will try to
convince himself _he_ is a lion.
November 30, 1867.
_BEHIND THE SCENES._
So few people have any definite idea of the stage behind the scenes,
or of the little busy world that congregates there nightly, in the
production of a great spectacle like "Undine," requiring all the
resources of music, scenery, the drama and the ballet, that, a few
evenings since, I conceived it to be my duty to expose myself to
demoralization for the public good.
The great public in front of the curtain only see the beautiful
effects and the smooth movements, with no idea of the powers that are
in exercise and the hidden springs that set at work all this great
machinery. I shall not attempt to expose these secrets, but at the
same time hope to give you some conception of life on the stage.
Upon expressing my wish to the management to be demoralized for this
laudable purpose, they gave me their hearty approval, and on Tuesday
night, at half-past seven, I bade good-bye for a brief evening to the
great world outside, and passed within the realms of romance, clad in
double-proof mail of morality, invulnerable to the combined attacks
of naiads, coryphees and Amazons.
Has chaos come again? Will order ever come out of this wilderness of
scenes, ropes, weights, pulleys, calcium burners, step ladders, gauze
waters, tinseled cars, demon masks, gas tubes, sceptres, levers,
crowns, eccentric iron rods, goblets, the fabulous Rhine treasures,
tables, lounges, gongs and pistols? What secret charm is to resolve
all these into their proper places and make them fill their parts in
the production of grace and beauty?
Public-domain text, read in full here on John Shaqi.
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