Letters to Helen: Impressions of an Artist on the Western FrontHenderson, Keith
History
Letters to Helen: Impressions of an Artist on the Western Front
Henderson, Keith
World War, 1914-1918 -- Personal narratives, English
I have several times gone right across the open, within full view of
Fritz (whom I could see), at a distance of 600 yards. I think they must
all be very confused, also, as there is very little rifle fire and very
little organized sniping. Nothing but shelling, with the result that for
miles and miles there's just tumbled earth.
The famous woods you read about are mere scratchy little collections of
a few tree-stumps splintered and wrecked beyond belief. Things lie
scattered everywhere in aimless profusion. Muddy rifles, coats, boots,
and every description of kit, both British and Hun. I have met lots of
men I know, and everyone is very cheery and hopeful. Fritz is
withdrawing his big guns--always a good sign. However, the myriads of
prisoners nearly all look a sound type of man still. They are put to
work a long way behind the line immediately, which is good.
_September 7._
[Sidenote: THE SOMME FRONT]
We have been for some time right up in parts quite destitute of houses
and villages and shops. All the remnants of villages here are ruins. And
messing is consequently more difficult. So may I have a large-sized cake
now and then?
The war isn't over yet, I fear. We live in the usual touch-and-go
condition.
_September 8._
Things hum. Troops like ants all over the ground. In tents, in bivvies,
in the open, everywhere. And the eternal chain of motor lorries bringing
up ammunition and supplies. These one sees all over France. But here
they block half the roads. Well, yesterday morning I rode out alone with
the Colonel and two orderlies. We went to some high ground from which
you can see it all, dismounted, and sent the horses back. In front of
us, in the valley, a wrecked town with the strangest thing on the
still-standing tower. I hope to make a picture of it if ever I can get
any time again.
Later in the day from one of our O.P.'s I began a sketch of the whole
panorama of the battle. Desolate ragged country, torn with shell wounds;
the poor scarecrow trees like arms stretched up to heaven for help.
Fields that once were golden with corn now grey and scarred with white
trenches that look like a network of pale worms lying where they died.
Now, from another O.P. I'm looking at the arid chaos below. Arid and
lonely-looking, but not silent. A strafe is on. Seems to be getting
louder and more continuous. We passed on our way here a great naval gun
crashing out death to the burrowing Huns. Swallow doesn't like naval
guns.
Public-domain text, read in full here on John Shaqi.
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