Letters to Helen: Impressions of an Artist on the Western FrontHenderson, Keith
History
Letters to Helen: Impressions of an Artist on the Western Front
Henderson, Keith
World War, 1914-1918 -- Personal narratives, English
From flimsy net shelters flash the expensive guns, and the bombardment
gathers strength, gathers volume, until you'd think something must
burst--the world or the universe: either might split from end to end.
The dust and smoke are gradually making everything invisible. Crumps
come whistling and heaving up great clouds of heavy blackness. We look
at our watches. Zero hour in five minutes. The aeroplanes buzzing aloft,
and the sausages sitting among the low clouds, inert and so
vulnerable-looking. Can there be anything left? Can a single soul live?
[Illustration: TRENCHES BETWEEN FRICOURT AND LA BOISELLE
They don't look much like trenches, because they were battered to
pieces. A 'dump' on the near horizon was hit by a Boche shell. It blazed
and crackled and smouldered all night, a drifting column of dull pink
smoke.]
_September 9._
Surely we shall get through. Even in spite of the rain. The rain has
made the country into a quagmire.
Reconnoitred the front trenches to-day with the Colonel, in a particular
part where everything is at sixes and sevens, and no one quite
knows what we haven't or have got. Most odd. Shells of all calibres
bursting on every side--corpses, odours unspeakable.
[Sidenote: DELVILLE WOOD]
You see, things are expected to happen soon, and so I'm anxious to know
all about it. This part of the line is terrific.
Where we are, and for miles and miles around, myriads of troops,
cavalry, artillery, everything, all camped in the open--no concealment.
Mud? Why, everyone is mud, up to the eyes, and so are the horses. This
big movement has quite dislocated the ordinary trench warfare, and now
all over the dreary uplands are trenches hurriedly dug by the Hun and
then abandoned. Trenches that often barely shelter you above the knees.
Chaos, chaos. Rifles lying to rust in the mud, duds everywhere, men
sitting in dug-outs, not knowing what they are expected to do next.
Others in mere scratched-out shelters or in actual shell holes.
Sometimes they sing. Often they are asleep. Wreckage indescribable.
Shrapnel cracking into black clouds close by. Enormous and magnificent
H.E.'s hurling up black earth and red earth, and smoke that drifts
slowly and solidly away to limbo. Poor dead men lying about, and dead
horses, too. And in the trenches this limitless porridge of mud.
Cr-r-r-ump! go the crumps searching out a battery. But oh the
woods--the poor scarecrow woods. I was in a famous wood that looked
positively devilish in its sinister nakedness. And it's September, too,
when woods are so often at their loveliest. Not a leaf--not one single
leaf; and, instead of undergrowth, just tossed earth, fuses, a boot, a
coat, some wire, and above-ground dead men. Below-ground (or as far
below as they can get in the time) live men.
Public-domain text, read in full here on John Shaqi.
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