Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
Since 1874 Mr. Howells has published one or more novels annually,
among which are the following: “A Foregone Conclusion” (1874), “A
Counterfeit Presentment” (1877), “The Lady of the Aroostook” (1878),
“The Undiscovered Country” (1880), “A Fearful Responsibility” (1882),
“A Modern Instance” and “Dr. Breen’s Practice” (1883), “A Woman’s
Reason” (1884), “Tuscan Cities” and “The Rise of Silas Lapham” (1885),
“The Minister’s Charge” and “Indian Summer” (1886), “April Hopes”
(1887), “Annie Kilburn” (1888), “Hazard of New Fortune” (1889). Since
1890 Mr. Howells has continued his literary activity with increased,
rather than abating, energy. Among his noted later novels are “A
Traveler from Altruria” and “The Landlord at Lion’s Head” (the latter
issued in 1897). Other notable books of his are “Stops at Various
Quills,” “My Literary Passion,” “Library of Universal Adventure,”
“Modern Italian Poets,” “Christmas Every Day” and “A Boy’s Town,” the
two last mentioned being for juvenile readers, with illustrations.
Mr. Howells’ accurate attention to details gives to his stories a
most realistic flavor, making his books seem rather photographic than
artistic. He shuns imposing characters and thrilling incidents, and
makes much of interesting people and ordinary events in our social
life. A broad grasp of our national characteristics and an intimate
acquaintance with our institutions gives him a facility in producing
minute studies of certain aspects of society and types of character,
which no other writer in America has approached. For instance, his
“Undiscovered Country” was an exhaustive study and presentation of
spiritualism, as it is witnessed and taught in New England. And those
who admire Mr. Howells’ writings will find in “The Landlord at Lion’s
Head” a clear-cut statement of the important sociological problem yet
to be solved, upon the other; which problem is also characteristic of
other of his books. Thoughtful readers of Mr. Howells’ novels gain
much information on vital questions of society and government, which
broaden the mind and cannot fail to be of permanent benefit.
From 1872 to 1881 Mr. Howells was editor of the “Atlantic Monthly,”
and since 1886 he has conducted the department known as the “Editor’s
Study” in “Harper’s Magazine,” contributing much to other periodicals
at the same time. He is also well known as a poet, but has so
overshadowed this side of himself by his greater power as a novelist,
that he is placed with that class of writers. In 1873 a collection
of his poems was published. While in Venice he wrote “No Love Lost;
a Romance of Travel,” which was published in 1869, and stamped him as
a poet of ability.
* * * * *
THE FIRST BOARDER.
(FROM “THE LANDLORD AT LION’S HEAD.” 1897.)
_By Permission of Messrs. Harper & Brothers, Publishers._
Public-domain text, read in full here on John Shaqi.
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