Life and religion of the Hindoos. : $b With a sketch of my life and experience.Gangooly, Joguth Chunder
Religion
Life and religion of the Hindoos. : $b With a sketch of my life and experience.
Gangooly, Joguth Chunder
Hindus; India -- Social life and customs
or other musical instruments are not household furniture in Bengal.
The music is made among persons of the same age, and where no father,
uncle, or elder brother is present. This, however, is confined only to
the males; Hindoo females do not sing to men or even to themselves.
Occasionally, you will hear a girl singing, in a tone sweet yet so
low that you will think she has just recovered from a dreadful fever;
while her female hearers are on the look-out,--lending one ear to her
song, and the other to catch the step of any one who might be coming.
Proficiency in music or dancing is not an accomplishment to a Hindoo
woman; her accomplishments consist in keeping silence before, and
speaking gently to, her friends; in abstaining from wild laughter;
in paying attention to the regulations for her sex; in offering due
regard to others; in her familiarity with the art of cooking, and her
reverence for all holy and pure things. Dancing is strictly forbidden
among the males or females of any respectable standing whatever, and it
is thought to be degrading, a savage practice, to move about or stretch
the limbs with measured steps before an audience. In India, dancing
men and women always belong to the disreputable class, who sell their
services to the public. The Hindoos believe that the custom of dancing
by both sexes originated among the savage people; although it is a
main source of pleasure among the enlightened. A Hindoo father would
rather see his children walk on crutches than waltz before anybody.
Confined as the dancing is to the disreputable people, it is itself
a difficult art; every one cannot dance according to rule, unless a
systematic instruction is received. There are, I presume, more than
forty different kinds of movements. When a girl dances, she imitates
the sounds of the music, by means of the ornaments round her ankles.
As she gently glides along before you, you will hear the low ringing
noise of her ornaments, in perfect harmony with the sound of the music,
and this designates the kind of the dancing. But it is to be observed
here, that even the disreputable public people do not dance together,
male and female leaning against each other’s bosom, and putting their
arms round the waist. Among the high castes, any sport requiring the
exertion of bodily strength is excluded.
Public-domain text, read in full here on John Shaqi.
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