Life of Henriette Sontag, Countess de Rossi.: with Interesting Sketches by Scudo, Hector Berlioz, Louis Boerne, Adolphe Adam, Marie Aycard, Julie de Margueritte, Prince Puckler-Muskau & Theophile Gautier. — John Shaqi
Life of Henriette Sontag, Countess de Rossi.: with Interesting Sketches by Scudo, Hector Berlioz, Louis Boerne, Adolphe Adam, Marie Aycard, Julie de Margueritte, Prince Puckler-Muskau & Theophile Gautier.
General
Life of Henriette Sontag, Countess de Rossi.: with Interesting Sketches by Scudo, Hector Berlioz, Louis Boerne, Adolphe Adam, Marie Aycard, Julie de Margueritte, Prince Puckler-Muskau & Theophile Gautier.
Sontag, Henriette, 1806-1854
After some delay, the Count obtained permission from his sovereign to
retire for a time from his career. When it was known later at Turin what
was the cause of his retirement, and that it was definitive, letters
were written, by order of the sovereign, in the highest degree cordial
and flattering, both to M. and Madame de Rossi. From Turin the Count
returned to Berlin; there Mr. Lumley had suddenly arrived--every
arrangement was made, and a week after he had left Berlin, the Count and
Countess Rossi arrived in London in a manner totally unforeseen. In a
week more she appeared on the stage, and although, unlike other great
singers, she had not, owing to the necessity of secresy, been preceded
by those announcements which habitually long beforehand herald forth a
_prima donna_, and work upon public expectation, her reception was one
never surpassed in enthusiasm.
When the circumstances in which Madame Sontag has once more appeared on
the horizon with undiminished glory are considered, a feeling of
something more than admiration takes possession of the observer. To
behold beings, of which there are not one in so many millions, whose
existence has scarcely been thought of, come in a critical hour,
interpose their power, uphold a noble establishment, and at once defeat
all the workings of intrigue, envy, and ingratitude, partakes of that
providential character of events to which all others are secondary. This
is the second time that such an interposition has occurred as regards
the greatest theatrical institution of the country. If there existed in
reality such a random power as _chance_, such events could scarcely be
reckoned amongst its casualties.
If there could be any one so devoid of love for what is really good and
really great, as not to be inspired by interest in the eventful life we
have so very superficially sketched, they need only to repair to the
theatre where our heroine appears, for them to change their disposition.
Nothing ever could resist, off the stage or on it, the sterling merit
either of Countess Rossi, or of Madame Sontag.
SKETCHES OF THE COUNTESS DE ROSSI,
BY VARIOUS CELEBRATED WRITERS.
PEN AND INK PORTRAIT
OF
HENRIETTE SONTAG,
BY
MARIE AYCARD.
TWO centuries ago, under the dominion of a great king, when intellect
and wit were the daily pastimes--at that brilliant period when gallantry
was a habit and politeness a duty--there was a charming fashion; which
was to reproduce in writing, the description of the character, person,
and talents of those who had any claim to celebrity. This fashion of
pen-and-ink portraits, consecrated by La Rochefoucauld, who sketched his
own--by Madame Lafayette, who sketched that of her illustrious
friend--has disappeared with the great names, the great sayings, and the
great doings of those days, when toil and money-getting were not the
only objects of life.
Public-domain text, read in full here on John Shaqi.
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