Life of Henriette Sontag, Countess de Rossi.: with Interesting Sketches by Scudo, Hector Berlioz, Louis Boerne, Adolphe Adam, Marie Aycard, Julie de Margueritte, Prince Puckler-Muskau & Theophile Gautier. — John Shaqi
Life of Henriette Sontag, Countess de Rossi.: with Interesting Sketches by Scudo, Hector Berlioz, Louis Boerne, Adolphe Adam, Marie Aycard, Julie de Margueritte, Prince Puckler-Muskau & Theophile Gautier.
General
Life of Henriette Sontag, Countess de Rossi.: with Interesting Sketches by Scudo, Hector Berlioz, Louis Boerne, Adolphe Adam, Marie Aycard, Julie de Margueritte, Prince Puckler-Muskau & Theophile Gautier.
Sontag, Henriette, 1806-1854
For through thy beautiful lips Heaven speaks to its children,
and thy voice brings us news from those realms above,
which are the asylum of all.
VII.
When thou shalt have returned to the Kingdom of Harmonies,
and no mortal coil shall restrain thy power;
then, amidst the angelic choir, thou shalt sing to the throne
supreme,
and blessed! thou shalt receive the highest reward of terrestrial
singer!
We have traced here but very imperfectly what we have observed
ourselves, heard from travellers, or collected from the many journals
and reviews of Germany. What we have recorded is but a very small
portion of the sum of constant happiness, of constant triumph, which
attended Madame de Rossi since she left the theatrical career. But at
last came the fatal year 1848, when a political eruption, unprecedented
for magnitude and extent, fell upon the whole fabric of human happiness
on the Continent, as unforeseen and as destructive as the volcanic
outburst which, in a past age, buried Pompeii. Madame de Rossi's
fortune, when the revolution broke out at Berlin, was placed partly with
bankers, partly in commercial securities; commerce ceased, public credit
was shaken, and private credit lost, and with the latter the fortune of
Madame de Rossi. Shortly afterwards followed the events in Sardinia, in
its turn deeply affecting the fortunes of her husband, and threatening
the Count Rossi with the loss of that office which he had so long and so
honorably held. On the first news of the losses experienced by Madame de
Rossi, knowing how perfectly she had preserved her voice, the Direction
of Her Majesty's Theatre made, in the most delicate manner that could be
devised, ample offers to the unfortunate lady, in case she should deem
it necessary to return to the scene of her former triumphs. The Count
and Countess Rossi did not contemplate then the necessity of so great a
sacrifice. Later offers of unlimited temptation were made by other
parties, and emissaries sent to Berlin secretly to treat with the great
vocalist of the golden age of the opera. But they were at once refused.
As events assumed a darker complexion, Madame de Rossi, the most
affectionate of mothers, grew more and more anxious for her children,
and used every endeavor to prevail on her noble husband to sacrifice the
privileges and prejudices of rank, and the sweets of high office, to the
future welfare of their children. An artist of European fame, who not
only commands admiration by his talents, his conversational powers, his
elegant and amiable manners, and his noble and elevated character--M.
Thalberg, happened some months since to be in Berlin, and he is said to
have seconded Madame de Rossi's efforts to persuade her husband.
Communications were resumed with the Direction of Her Majesty's Theatre,
although still in a problematical and conditional form, and the Count
Rossi repaired to Turin to endeavor to release himself from his duties.
Public-domain text, read in full here on John Shaqi.
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