Browning, Robert, 1812-1889; Poets, English -- 19th century -- Biography
there is more "profundity" in any of these than in libraries
of "Sludge the Medium" literature. Mere hard thinking
does not involve profundity, any more than neurotic excitation
involves spiritual ecstasy. `De profundis', indeed, must the poet come:
there must the deep rhythm of life have electrified his "volatile essence"
to a living rhythmic joy. In this deep sense, and this only,
the poet is born, not made. He may learn to fashion anew
that which he hath seen: the depth of his insight depends upon
the depth of his spiritual heritage. If wonder dwell not in his eyes and soul
there can be no "far ken" for him. Here it seems apt to point out
that Browning was the first writer of our day to indicate this transmutive,
this inspired and inspiring wonder-spirit, which is the deepest motor
in the evolution of our modern poetry. Characteristically,
he puts his utterance into the mouth of a dreamy German student,
the shadowy Schramm who is but metaphysics embodied,
metaphysics finding apt expression in tobacco-smoke: "Keep but ever looking,
whether with the body's eye or the mind's, and you will soon find something
to look on! Has a man done wondering at women? -- there follow men,
dead and alive, to wonder at. Has he done wondering at men? --
there's God to wonder at: and the faculty of wonder may be,
at the same time, old and tired enough with respect to its first object,
and yet young and fresh sufficiently, so far as concerns its novel one."
This wonder is akin to that `insanity' of the poet which is
but impassioned sanity. Plato sums the matter when he says,
"He who, having no touch of the Muse's madness in his soul,
comes to the door and thinks he will get into the temple by the help of Art --
he, I say, and his poetry, are not admitted."
In that same wood beyond Dulwich to which allusion has already been made,
the germinal motive of "Pippa Passes" flashed upon the poet.
No wonder this resort was for long one of his sacred places,
and that he lamented its disappearance as fervently
as Ruskin bewailed the encroachment of the ocean of bricks and mortar
upon the wooded privacies of Denmark Hill.
Public-domain text, read in full here on John Shaqi.
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