Life of Schamyl: And Narrative of the Circassian War of Independence Against Russia — John Shaqi
Life of Schamyl: And Narrative of the Circassian War of Independence Against RussiaMackie, J. Milton (John Milton)
History
Life of Schamyl: And Narrative of the Circassian War of Independence Against Russia
Mackie, J. Milton (John Milton)
Caucasus -- History; Shamil, Imam, 1798?-1871
An elderly dame also now performs the mystic ceremony of walking three
times around the bridal couch, repeating the while the words of some
Arabic charm, and afterwards placing by the bedside three earthen-ware
pots filled with corn, and containing each a lighted lamp.
At last the hour of midnight arrived, the impatient bridegroom springing
into his saddle gallops to the house of his friend, and conducted into
the presence of his bride instantly rips open her corset with his
poniard. This is the conclusion of the ceremony by which is rather cut
than tied the Circassian knot of matrimony, there being neither priest
nor magistrate employed to fasten it any more securely.
XVIII.
MAIDS.
The bride of Schamyl must have been unlike her countrywomen generally,
if she was not handsome. For the Circassian females have long been famed
for their beauty, not only being in demand for the supply of the Turkish
harems, but having formerly been sought in marriage by the Hungarian
kings and the czars of Muscovy, as well as by the Byzantine princes and
the pashas of Stamboul. They are described by travellers as of good
height having slight and pliant forms like the birch among trees, with
complexion either fair or olive, the old Greek cast of features, and
eyes and hair generally dark, though some writers in describing them
sing also of
The eyes' blue dalliance,
And the golden hair.
On their heads the girls wear a bonnet not unlike the Albanian skullcap,
of scarlet or some other brilliant color, and trimmed with lace of
silver. Beneath this their hair falls down their shoulders in braids
which are confined at the end by a silver cord, or are tied like the
tresses of the Cossack girls with bright ribbons that nearly sweep the
ground. Sometimes also these plaits are gracefully confined in a silken
network.
Over the shift is worn a jacket of some gay color and confined in front
by silver clasps; or it may be simply a leathern corselet joined
together by stitches. In either case the waist is incased as it were in
a straight jacket, which being put on at the age of ten or even younger,
and worn constantly until the marriage night, restrains the fulness of
nature throughout the period of maidenhood. A skirt open in front and
confined around the waist by a scarf or girdle, falls sufficiently short
of the ankles to show the wide Turkish trowsers which are tied above
them.
Closely fitting morocco slippers cover the feet, which being kept as
scrupulously clean as those of the Hindoo women, if not like theirs
ornamented with rings, are indoors frequently left bare; while out of
the house a kind of wooden clogs are worn to avoid the dirt. The
slippers are sufficiently coquettish, being made of red or green
morocco, and of a size to admit the foot only in part, with small high
heels, and dainty, pointed toes slightly turned up.
Public-domain text, read in full here on John Shaqi.
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