No people are more threatened by the danger of this tendency than we Germans; more especially because the tendency is closely related with a most advantageous quality of our nature--willing subordination to the object, fidelity to and conscientiousness in our work. But since we follow this one tendency, aspects and tendencies which are absolutely necessary to a complete life stagnate and decay. We do not sufficiently develop a personal life independent of the object; we do not encompass and transform it from its very base by a transcendent life-process; and so we are occupied too much with the material, and do not completely spiritualise it; we do not bring into relief simple lines in the infinite abundance, which we require and must maintain complete. How many excellent scholars our time possesses, who are equipped with an astonishing capacity for work, who are masters of even the most complicated technical matters, and yet how few spiritual types there are among them; how few who have anything to say to humanity, and who will exert their influence in this way beyond the present! The history of German formative art also indicates a painful divergence between the amount of untiring work and the carefulness of execution, and the creation of simple and pure forms that would increase the spiritual possessions of humanity, and be permanent factors in its movement. However, the trait is rooted far too deeply in our being for even the most determined resolution to be able directly to achieve much to counteract it. Nevertheless, it is not a matter of indifference whether we give ourselves complacently up to this one-sidedness, and fortify ourselves proudly in it; or whether we oppose it to the best of our ability.