Life's Little Ironies: A set of tales with some colloquial sketches entitled A Few Crusted CharactersHardy, Thomas
General
Life's Little Ironies: A set of tales with some colloquial sketches entitled A Few Crusted Characters
Hardy, Thomas
Short stories, English; Wessex (England) -- Fiction
It was about a month after their settlement in town that the household
decided to spend a week at a watering-place in the Isle of Wight, and
while there the Reverend Percival Cope (the young curate aforesaid)
came to see them, Frances in particular. No formal engagement of the
young pair had been announced as yet, but it was clear that their
mutual understanding could not end in anything but marriage without
grievous disappointment to one of the parties at least. Not that
Frances was sentimental. She was rather of the imperious sort, indeed;
and, to say all, the young girl had not fulfilled her father’s
expectations of her. But he hoped and worked for her welfare as
sincerely as any father could do.
Mr. Cope was introduced to the new head of the family, and stayed with
them in the Island two or three days. On the last day of his visit they
decided to venture on a two hours’ sail in one of the small yachts
which lay there for hire. The trip had not progressed far before all,
except the curate, found that sailing in a breeze did not quite agree
with them; but as he seemed to enjoy the experience, the other three
bore their condition as well as they could without grimace or
complaint, till the young man, observing their discomfort, gave
immediate directions to tack about. On the way back to port they sat
silent, facing each other.
Nausea in such circumstances, like midnight watching, fatigue, trouble,
fright, has this marked effect upon the countenance, that it often
brings out strongly the divergences of the individual from the norm of
his race, accentuating superficial peculiarities to radical
distinctions. Unexpected physiognomies will uncover themselves at these
times in well-known faces; the aspect becomes invested with the
spectral presence of entombed and forgotten ancestors; and family
lineaments of special or exclusive cast, which in ordinary moments are
masked by a stereotyped expression and mien, start up with crude
insistence to the view.
Frances, sitting beside her mother’s husband, with Mr. Cope opposite,
was naturally enough much regarded by the curate during the tedious
sail home; at first with sympathetic smiles. Then, as the middle-aged
father and his child grew each gray-faced, as the pretty blush of
Frances disintegrated into spotty stains, and the soft rotundities of
her features diverged from their familiar and reposeful beauty into
elemental lines, Cope was gradually struck with the resemblance between
a pair in their discomfort who in their ease presented nothing to the
eye in common. Mr. Millborne and Frances in their indisposition were
strangely, startlingly alike.
The inexplicable fact absorbed Cope’s attention quite. He forgot to
smile at Frances, to hold her hand; and when they touched the shore he
remained sitting for some moments like a man in a trance.
Public-domain text, read in full here on John Shaqi.
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